Lowly Deserter Sheet Music Preview

Lowly Deserter: Guitar Tab

Glen Hansard

Item: 00-PS-0015989

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$4.99
Description
In addition to being half of the duo The Swell Season and founder of The Frames, at 17 years old Glen Hansard co-starred in the musical film The Commitments and later starred alongside Markéta Irglová in the Academy Award®-winning film Once, proving himself as an artistic force to be reckoned with. His second solo effort Didn't He Ramble continues and expands on Hansard's brand of rootsy, vulnerable, but incisive songwriting. This album-matching folio contains sheet music for all 10 songs on the record, in guitar TAB transcriptions, plus a special lyrics-only bonus section. Titles: Grace Beneath the Pines * Wedding Ring * Winning Streak * Her Mercy * McCormack's Wall * Lowly Deserter * Paying My Way * My Little Ruin * Just to Be the One * Stay the Road.

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Additional Details
Publisher: Alfred Music
Page Count: 48
SKU: 00-PS-0015989

More about this title

About the Composer: Glen Hansard

Glen Hansard is an Irish singer, songwriter, and musician best known for his work with the Dublin-based band The Frames and as half of the acoustic duo The Swell Season. His film appearances, including a role in the Academy Award-winning film Once (2007), introduced his emotionally direct songwriting to audiences far beyond the folk and indie rock communities. Hansard's solo work builds on decades of live performance and collaborative practice, drawing from traditional Irish music while maintaining a contemporary sensibility.

His songwriting is marked by vulnerability paired with unflinching observation of human relationships and loss. The rootsy, acoustic-driven approach evident throughout Didn't He Ramble reflects Hansard's deep commitment to guitar-based storytelling and his ability to create melodies that linger long after a song ends.

Why we love this

This folio captures the raw, fingerstyle-forward arrangements that define Hansard's solo work without requiring a band. The TAB transcriptions make these songs accessible to intermediate guitarists working to expand their repertoire beyond standard tunings and picking patterns, while advanced players will find genuine musical substance in the harmonic complexity and emotional restraint of the writing.

What to expect

These songs inhabit the space between folk tradition and contemporary songwriting, rooted in fingerstyle guitar work that feels both intimate and structurally sophisticated. There's a melancholic restraint throughout the album that rewards careful listening and deliberate playing, creating an atmosphere of quiet intensity rather than bombast.

Who it's for

Guitarists seeking acoustic repertoire that moves beyond standard open-position songs will find genuine challenge and reward in these arrangements. Whether you're preparing material for recital, study, or ensemble contexts, this collection offers songs that respect both the instrument and the listener.

How to get the most out of it

  • Pay close attention to chord voicings and partial shapes; Hansard's arrangements often use open strings and unconventional fingerings that create specific tonal qualities rather than simply naming the harmony.
  • Let silences and spaces breathe as much as the notes themselves. Many of these songs depend on restraint and dynamic contrast rather than constant strumming.
  • Work through the lyrics alongside the TAB. The phrasing and melody contours are deeply connected to the words, and understanding the lyrical intent will inform how you shape the musical line.

How to use it

Consider programming selections from this folio in recital contexts where you want to shift toward singer-songwriter repertoire or introduce contemporary folk-influenced material. The collection also works well for guitarists building a personal practice library that extends beyond classical or jazz standards.

Skills your students will build

  • Reading TAB notation for unconventional voicings and open-string arrangements
  • Fingerstyle technique and right-hand independence
  • Interpreting chord voicings from TAB without relying on standardized shapes
  • Balancing rhythmic accompaniment with melodic line
  • Dynamic control and phrasing in acoustic singer-songwriter contexts

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