Love You Anymore (arr. Jo Annemans): SATB Choral Octavo

Jo Annemans has crafted an arrangement that preserves Bublé's signature warmth while giving it genuine harmonic depth. The SATB voicing sits naturally for mixed choirs without requiring exceptional ranges, and the twelve pages provide enough musical substance to feel like a real concert piece rather than a novelty pop arrangement.

Warm and introspective, with the intimate vulnerability of a late-night jazz club. The arrangement unfolds like a personal confession rather than a grand statement, inviting the audience into a quiet moment of sincerity.

This arrangement works beautifully for secondary and community choirs looking to expand beyond traditional choral repertoire into contemporary standards. It's ideal for directors who want to program a recognizable, emotionally engaging piece that doesn't require operatic technique.

• Balance the inner voices carefully during the harmonic passages; tenors and altos often carry crucial countermelody material that shouldn't disappear beneath the soprano line.
• Treat the rhythmic phrasing with jazz sensibility rather than strict metronomic precision, allowing slight pushes and relaxations that reflect Bublé's crooning style.
• Shape the dynamics gradually rather than making sudden shifts; this arrangement rewards long, connected musical phrases that build emotional weight through accumulation.
• Pay special attention to diction clarity on any sustained vowels, as the pop idiom demands intimacy that gets lost when consonants blur together in a large choir.

Consider placing this as a featured piece on a concert exploring American songwriting, or as a poignant closer that shifts the evening's mood from energy to reflection. It pairs well with other contemporary pop or jazz-influenced arrangements when you're building a thematically cohesive program.

• Singing with jazz articulation and phrasing conventions
• Balancing four-part harmony with clear part independence
• Interpreting dynamic shaping and musical rubato in pop idiom
• Managing sustained legit singing without excessive vibrato in contemporary music