Love You Anymore (arr. Jo Annemans) Sheet Music Preview

Love You Anymore (arr. Jo Annemans): SAB Choral Octavo

As performed by Michael Buble / Arranged by Jo Annemans

Item: 35-DS00510187

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Additional Details
Publisher: Hal Leonard
Page Count: 12
SKU: 35-DS00510187

More about this title

About the Artist: Michael Buble

Michael Bublé is a Canadian vocalist whose sophisticated interpretations of jazz standards and contemporary pop ballads have redefined the genre for modern audiences. His warm, precise tone and emotional restraint have made him a natural fit for music education settings, where his recordings serve as models for phrasing, dynamic control, and the art of understatement.

Why we love this

Jo Annemans has crafted an arrangement that preserves Bublé's intimate vocal character while creating genuine three-part counterpoint that keeps all sections engaged. The writing sits comfortably for SAB voices without sacrificing harmonic sophistication, making it equally effective for concert halls and jazz festival settings.

What to expect

Intimate and reflective, like overhearing a private moment of musical vulnerability. The arrangement wraps the listener in warm harmonies that feel both polished and genuinely human, with space for breath and restraint.

Who it's for

Choral directors seeking a contemporary standard that bridges jazz idiom and accessible three-part writing. This arrangement suits vocal jazz ensembles, show choirs, and traditional concert choirs wanting to expand their pop repertoire with genuine musicality.

How to get the most out of it

  • Approach the text with conversational phrasing rather than operatic diction. The arrangement thrives on natural speech rhythms that reflect the song's emotional directness.
  • Balance the altos and basses carefully in the harmonic foundation so the sopranos can float freely on the melody without strain.
  • Let the accompaniment breathe; resist the urge to rush through held chords or sustained passages where the lyrics carry emotional weight.
  • Layer in dynamic shaping gradually during rehearsals. The arrangement responds beautifully to subtle crescendos and decrescendos that mirror the contour of the text.

How to use it

Pair this with other contemporary standards or jazz arrangements in a spring concert exploring modern interpretations of romantic material. Its 12-page length allows it to anchor a set without overwhelming other selections, and it works well as a closer for a program that moves from classic to contemporary.

Skills your students will build

  • Phrasing in jazz and contemporary vocal styles
  • Harmonic ear training through three-part SAB counterpoint
  • Textual expression and emotional restraint
  • Balancing melody against complementary harmonic lines
  • Understanding stylistic differences between classical and contemporary diction

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