Love You Anymore (arr. Jo Annemans): SSMA Choral Octavo

Jo Annemans has crafted an arrangement that captures Bublé's signature warmth while giving your choir genuine independence. The SSMA voicing allows for a pop-forward sound without sacrificing the sophistication that makes this song resonate with audiences of all ages.

Warm, reflective, and suffused with genuine affection. The song settles into intimate spaces even as it expands to fuller voicings, creating moments of vulnerability alongside moments of confidence.

This arrangement works for secular choirs at the intermediate level who want contemporary repertoire with substance. It suits directors building a program that bridges jazz and classical traditions without requiring extensive vocal jazz training from their singers.

• Shape the melody with the kind of rubato that jazz singers use; this arrangement rewards flexibility in the vocal line rather than metronomic precision.
• Balance the lower voices carefully so the SSMA voicing creates harmonic depth rather than muddiness, especially in passages where bass and baritone lines move together.
• Let the text breathing happen naturally across phrases rather than forcing it at bar lines; the emotional arc matters more than perfect symmetry.
• Consider whether your singers can sustain the legit tone Bublé brings to this material, or whether a lighter, speech-like approach better suits your group's character.

Pair this with other jazz standards to anchor a concert around the Great American Songbook, or use it as an accessible entry point into contemporary arrangements for singers more familiar with classical repertoire. The emotional directness makes it work well as a closing number that leaves audiences with something genuine rather than merely showstopping.

• Sustaining legit tone across jazz idioms
• Independent part singing in four-part harmony
• Phrasing with flexibility and text expression
• Balancing voices in SSMA configurations
• Interpreting twentieth-century popular song repertoire