Love Someone (arr. Jack Zaino) Sheet Music Preview

Love Someone (arr. Jack Zaino): SAB Choral Octavo

As performed by Lukas Graham / Arranged by Jack Zaino

Item: 35-DS00462465

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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS00462465

More about this title

About the Artist: Lukas Graham

Lukas Graham is a Danish singer-songwriter known for crafting emotionally direct pop ballads that resonate across generations. His work combines conversational lyrics with memorable melodies, often drawing on personal reflection and universal themes of love and connection.

Why we love this

Jack Zaino's arrangement opens this contemporary pop ballad to choral forces without sacrificing the intimacy that makes the original so affecting. The three-part voicing sits comfortably across a range of choir levels while preserving the song's emotional core, making it an excellent bridge between pop repertoire and traditional choral literature.

What to expect

Warm and confessional; a quiet moment of honesty made communal through voices. The arrangement wraps the vulnerability of the original in gentle harmonic support, creating a sound that feels both personal and shared.

Who it's for

Directors seeking pop repertoire that works technically for mixed choirs without requiring soloists or extensive vocal demonstration skills. This arrangement serves singers comfortable with contemporary material and audiences expecting familiar, emotionally engaging song choices.

How to get the most out of it

  • Shape the phrases conversationally; this isn't a hymn or classical art song. Allow the lyrics to drive phrasing choices, letting the natural speech rhythms create forward motion rather than strict metric regularity.
  • Balance the melody so it emerges clearly from the harmonic support without the whole choir pushing toward the tune line. This arrangement works best when lower voices anchor the harmony and allow the top line space to breathe.
  • Record a rough rehearsal take midway through preparation to hear how the parts blend. Pop arrangements often reveal pitch issues differently in recordings than they do in the room.
  • Consider light, understated dynamics through most of the piece. Reserve volume and intensity for the final chorus or key moment, which gives you somewhere genuine to climb rather than starting at intensity and having nowhere to go.

How to use it

Place this alongside other contemporary pop arrangements to show your choir's range and versatility in a winter or spring concert. It also works as a strong closing piece for a program focused on modern repertoire, where its intimate character can land with full weight after more energetic selections.

Skills your students will build

  • Singing contemporary pop idioms and phrasing
  • Balancing melody and harmony in a three-part texture
  • Managing text clarity and emotional delivery simultaneously
  • Listening across parts to maintain blend and intonation in close voicings

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