Love Runs Out Sheet Music Preview

Love Runs Out: SATB Choral Octavo

As performed by Eddie Fisher / As performed by OneRepublic / As performed by Ryan Tedder / As performed by Andrew Brown / As performed by Brent Kutzle / As performed by One Republic / As performed by Zachary Filkins / Arranged by Mark Brymer

Item: 35-DS00301717

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00301717

More about this title

About the Artist: Eddie Fisher

Eddie Fisher emerged as a major recording artist in the 1950s, known for his smooth tenor voice and emotional delivery across popular standards and novelty songs. His interpretive approach and accessibility made him a fixture on radio and television during the golden age of American popular music.

Why we love this

Mark Brymer's arrangement captures the contemporary pop sensibility of this OneRepublic hit while building it accessibly for SATB choirs. The eight-page format strikes a practical balance, giving you enough musical substance to create a polished performance without overwhelming rehearsal time or requiring extensive doubling.

What to expect

Energetic and emotionally direct, with the kind of contemporary pop urgency that keeps singers engaged. The arrangement balances accessible writing with modern rhythmic textures that feel current without requiring complicated vocal production.

Who it's for

Choirs looking to program contemporary pop music without sacrificing choral craft. This arrangement works equally well for high school ensembles, community choirs, or show choirs seeking a modern sound that stays true to the ensemble's abilities.

How to get the most out of it

  • Balance the arrangement so the melody line stays prominent even as the inner voices develop their own rhythmic momentum in the second half.
  • Work the altos and tenors as a rhythmic unit during the syncopated passages; they anchor the groove that makes this arrangement shine.
  • Shape the dynamics gradually across the form rather than jumping between loud and soft; this song benefits from building intensity naturally toward the climax.
  • If using a recorded accompaniment, let your singers hear it in rehearsals early so they internalize the contemporary feel before adding their own interpretation.

How to use it

Pair this with other modern pop arrangements to create a contemporary music set, or use it as a standalone piece in a concert exploring how pop songwriting translates to choral voices. The approachable length and engaging melody make it ideal for mid-concert placement where you want both singers and audience to enjoy the familiar hook.

Skills your students will build

  • Contemporary pop phrasing and rhythmic precision
  • Balancing melody against moving inner voices
  • Syncopated rhythmic independence across voice parts
  • Performing with modern vocal production and energy
  • Reading SATB textures that move beyond traditional hymnal writing

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