Love Power (from Disenchanted) (arr. Mark Brymer) Sheet Music Preview

Love Power (from Disenchanted) (arr. Mark Brymer): Choral Instrumental Pak

As performed by Idina Menzel / Arranged by Mark Brymer

Item: 35-PK01498398

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Description
Idina Menzel and her legendary pipes (and range) wouldn't be kept on the sidelines for Disney+'s "Disenchanted". Brymer has elected to arrange the pop version of this feature song which appears in the end credits of the film. Wide ranges, a compelling rhythmic hook, and a message of cooperation between generations gives this arrangement its power!

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK01498398

More about this title

About the Artist: Idina Menzel

Idina Menzel's four-octave soprano has become synonymous with Disney's most ambitious vocal moments. Her work across Frozen, Rent, and the Hadestown revival demonstrates a rare ability to inhabit both intimate character work and soaring theatrical moments, making her a vocal reference point for singers navigating contemporary musical theater repertoire.

For music educators, Menzel's recordings offer masterclasses in breath control, belting technique, and emotional authenticity. Her approach to phrasing prizes clarity and intent over technical display, qualities that translate directly into how young singers should think about their own interpretive choices.

Why we love this

Brymer strips away the orchestral grandeur of the film version and rebuilds the arrangement around the rhythmic and melodic hooks that make this song stick. What emerges is a piece that sounds genuinely contemporary in a choir's mouth, with enough textural interest to keep rehearsals engaging across multiple vocal sections and the rhythm section.

What to expect

Bright and forward-moving, with an underlying message of intergenerational unity that never tips into saccharine. The arrangement has enough rhythmic momentum to feel modern, while Menzel's original melody ensures the emotional core stays intact.

Who it's for

Choirs looking for contemporary, film-based repertoire that doesn't sound thin or didactic. The piece works equally well for concert groups and show choirs, provided your singers can handle pop phrasing and a rhythmic sensibility that leans toward groove.

How to get the most out of it

  • Establish the rhythmic foundation first. The rhythmic hook is the song's backbone; lock this in with your rhythm section before layering melody and harmony.
  • Shape the dynamic arc across the entire song rather than treating sections as isolated moments. This arrangement rewards sustained buildup.
  • Pay close attention to where Brymer thins the texture. These moments of reduction are as important to the overall effect as the fuller passages.

How to use it

Consider this for a spring concert that mixes film and musical theater selections, or as an accessible entry point for choirs exploring more contemporary arrangements. The end-credits origin also makes it a natural fit for hybrid concert programs that celebrate the intersection of film, theater, and choral music.

Skills your students will build

  • Singing with rhythmic precision in a pop/contemporary style
  • Navigating wide melodic ranges within a single phrase
  • Responding to rhythm section independence and pocket
  • Building ensemble cohesion across multiple concurrent rhythmic patterns

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