Love Power (from Disenchanted) (arr. Mark Brymer): SAB Choral Octavo

Mark Brymer's arrangement captures the vulnerable strength of this ballad while keeping the three-part writing accessible without sacrificing emotional weight. The piece sits in a singable range for mixed choirs and avoids the trap of oversimplifying Disney material, instead preserving the song's contemplative arc and giving each voice part something genuinely musical to do.

Warm and reflective, with moments of quiet intensity. The piece has the quality of someone sitting alone with their thoughts, finding clarity through song. There's hope threaded through the arrangement, but it doesn't come easily.

Choirs looking to program contemporary film material that respects both the source and the ensemble's musical development. The SAB voicing makes this viable for mixed groups with younger singers or uneven soprano sections, while the 10-page length positions it as a substantial ballad without overwhelming rehearsal time.

• Balance the SA parts against the B in the opening phrases; the alto line carries important harmonic color that can disappear if sopranos dominate.
• Treat this as a chamber piece, not a stadium anthem. The intimacy of the lyric depends on restraint and deliberate pacing.
• Shape the dynamics phrase by phrase rather than building one sustained crescendo; the arrangement has its own internal peaks that need room to breathe.
• Work the text separately from the notes at first. The emotional specificity of the lyrics will inform how singers approach the vocal line.

Pair this with other contemporary ballads for a concert exploring emotional honesty in modern musical theater, or use it as a compelling closer that leaves the audience in a thoughtful place. It works equally well as a showcase for vocal maturity in February or March concerts.

• Sustaining dynamic control across longer phrases without excessive vibrato or tension
• Balancing three-part harmony where each voice carries distinct melodic weight
• Interpreting lyrical content to shape musical choices (phrasing, breath placement, tone color)
• Reading and singing contemporary vocal arrangements that avoid traditional harmonic predictability