Love Make the World Go Round: SATB a cappella Choral Octavo
Words and music by Lin-Manuel Miranda, Marcus Lomax, Mike Molina, Stefan Johnson, John Mitchell, Melody Hernandez, Jennifer Lopez, Jordan Johnson, and Nelson Kyle / arr. Alex Phan
Item: 00-PO-0006396
Minimum order quantity: 20 copies
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About the Composer: Lin-Manuel Miranda
Lin-Manuel Miranda is a composer, lyricist, and playwright whose work bridges musical theater, hip-hop, and popular music. Best known for creating Hamilton, In the Heights, and Encanto, Miranda has shaped contemporary musical storytelling by centering diverse voices and blending genres that reach audiences across age groups and musical backgrounds.
In education settings, Miranda's compositions model how to craft singable melodies with sophisticated rhythmic and harmonic language. His ability to embed social and emotional themes within accessible pop and hip-hop idioms makes his work particularly valuable for choirs seeking repertoire that resonates with students while maintaining artistic integrity.
Why we love this
This arrangement captures the infectious energy of the original recording while giving singers genuine rhythmic and textural work. The notated vocal percussion parts and rap bridge aren't decorative; they're essential musical elements that keep singers engaged and invested in creating the track's signature pop pulse. Directors will appreciate that the uplifting message lands naturally through the music itself, not through heavy-handed programming.
What to expect
Bright, danceable, and purposeful. The perky rhythms and vocal percussion create momentum from the first measure, while the harmony remains accessible without losing sophistication. There's a joyful resilience in this arrangement; the piece builds from intimate verses toward a triumphant final chorus that feels earned rather than imposed.
Who it's for
This octavo works well for choirs with a mix of reading abilities and confidence levels. The contemporary pop idiom and notated rap passage appeal to singers who connect with current music, while the full SATB texture and 20-page score give intermediate and advanced choirs genuine musical substance to dig into.
How to get the most out of it
- Lock the vocal percussion parts before adding the harmonic content. Those rhythmic figures are the groove's foundation; once they're solid, the rest of the texture builds cleanly on top.
- Bring energy and specificity to the rap solo in the bridge. This passage is a natural focal point for a confident featured singer or small group; treat it with the same care you'd give a soloistic moment in any arrangement.
- Balance the perky rhythmic figures in the verses against the fullness of the final chorus. The contrast between the leaner texture and the all-in moment will intensify the emotional payoff.
- Shape dynamics across the entire piece to honor the song's arc from individual verses toward collective celebration. Small dynamic gradations throughout will make the journey feel intentional rather than static.
How to use it
Consider this for a spring or end-of-year concert where you want to close on an optimistic note or open with contagious energy. It pairs naturally with other contemporary a cappella arrangements or with instrumental pop-influenced work, and the message of love and courage integrates well into thematic concert programming around resilience or community.
Skills your students will build
- Reading and performing notated vocal percussion rhythms
- Balancing articulation and diction in rapid-fire rap passages
- Layering independent rhythmic figures across four voice parts
- Shaping dynamic contrast between verse and chorus sections
- Sustaining groove and pulse in a cappella pop style