Love Is The Drug (arr. Gitika Partington): SAATB Choral Octavo

Gitika Partington's arrangement captures the infectious groove and polished sophistication of the original while opening the song up for voices. The five-part texture gives soloists and section singers alike moments to shine, and the pop idiom resonates with singers who might otherwise feel disconnected from traditional repertoire.

Sleek and propulsive, with enough harmonic sophistication to reward careful listening. The arrangement channels the cool, urbane quality of the original while giving voices room to move through layered textures that keep the music from feeling thin or overly simplified.

Directors looking to program contemporary pop music that respects both the original's energy and choral musicality will find this arrangement compelling. It works well for groups comfortable with five-part writing and interested in repertoire that bridges the gap between pop culture and concert singing.

• Nail the rhythmic precision in the verse sections; this style demands crisp ensemble attacks and releases rather than the legato phrasing classical singers default to.
• Balance the upper voices carefully so the sopranos and altos complement rather than overshadow each other during the melodic passages.
• Let the bass and tenor lines establish the harmonic foundation, especially in the chorus, before the higher voices layer in.
• Record a sectional run-through to identify where blend breaks down, then isolate those moments for targeted rehearsal.

Feature this on a program that celebrates songwriting across genres, pairing it alongside art rock or sophisticated pop arrangements from other composers. Its eight pages fit neatly into a mixed concert, and the recognizable tune helps audiences connect with your choir's diverse programming.

• Pop style articulation and rhythmic accuracy
• Five-part SAATB balance and blend
• Navigating contemporary harmonic language
• Phrasing in a non-classical genre context