Love Is Easy: Jazz Ensemble Conductor Score

Dave Rivello's arrangement strikes an excellent balance between approachability and musical substance. The unison octave line that launches into ensemble writing gives every section something to play, while the optional written solos for drums, trumpet, and tenor sax allow you to feature your strongest improvisers or provide scaffolding for developing ones. The relaxed swing feel and pedal point ending make this a gratifying piece to work with across multiple rehearsals.

Relaxed and sophisticated, with an easy-swinging groove that feels natural rather than forced. The tune unfolds from unison simplicity into layered ensemble writing, creating a sense of conversation and collaboration that rewards attentive listening and playing.

Jazz ensemble directors working with medium-advanced ensembles who want a vehicle that accommodates both section players and soloists. The arrangement works well for groups that have developed basic swing vocabulary and can handle the conversational texture between ensemble and featured voices.

• Establish the swing feel in the rhythm section before adding the front line. Lock the bass and drums into a comfortable pocket that sits slightly behind the beat, letting the quarter-note pulse breathe rather than push.
• Balance the early unison line by having the ensemble play with unified articulation and dynamic shape. Blend and intonation matter here since all voices are exposed on the same material.
• If using the written solos, rehearse them alongside improvisation expectations so soloists understand both the changes and the stylistic character of the tune. The written solos can serve as a reference point during breaks.
• Shape the pedal point section at the end with gradual dynamic layering. Bring in voices strategically to build color and intensity as the piece resolves.

This works as a solid mid-season or concert closer once your ensemble has built comfort with swing feel and solo conventions. Program it alongside other medium up-standards to showcase your group's ability to balance ensemble cohesion with space for individual voices.

• Swing feel and rhythmic placement (sitting behind the beat vs. on top)
• Balancing unison blend across an entire ensemble
• Trading and responding in ensemble writing
• Accompanying soloists with steady comping and section awareness
• Navigating pedal point harmony and minimal harmonic movement