Love Is a Wonderful Thing Cover Image

Love Is a Wonderful Thing: 3-Part Mixed Choral Octavo

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Love Is a Wonderful Thing Cover Image

Love Is a Wonderful Thing: 3-Part Mixed Choral Octavo

Words and music by Michael Bolton and Andy Goldmark / arr. Kirby Shaw

Level: Moderate

Item: 00-CHM03047

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Description
Michael Bolton's signature song comes alive in this delightful new arrangement from Kirby Shaw. It's not for the faint of heart but will be a showpiece for any choir who performs pop music.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 654979059974
SKU: 00-CHM03047

More about this title

About the Composer: Michael Bolton

Michael Bolton is an American rock and pop singer known for his powerful ballad interpretations and songwriting across multiple decades. His work blends rock sensibilities with mainstream pop appeal, and his compositions have become standards in both commercial radio and music education settings.

Why we love this

Kirby Shaw's arrangement captures the emotional sweep of Bolton's original while making it genuinely singable for a 3-part mixed choir at this level. The voicing sits well across the range without sacrificing the song's signature warmth, and your singers will connect instantly with material they likely know from radio and streaming.

What to expect

Lush and emotionally generous, this arrangement wraps familiar lyrics in rich harmonies that feel both accessible and sophisticated. The piece breathes with the warmth of a classic pop ballad while maintaining the vocal clarity and musicianship expected in concert repertoire.

Who it's for

Choirs comfortable with popular song but looking for material with musical substance will thrive with this arrangement. It works for high school mixed choirs, community choirs, and select middle school programs with strong singers across all three parts.

How to get the most out of it

  • Build the dynamic arc gradually from verse to chorus; the arrangement benefits from restrained dynamics early on that allow room for genuine crescendo in the final statements.
  • Shape the melodic lines with careful attention to phrase contour rather than strict metering; let the natural expression of the lyrics guide your rubato.
  • Balance the parts so the SAB voicing doesn't collapse into melody dominance; the inner harmony parts carry essential support for the emotional weight.

How to use it

Program this as a centerpiece for a pop music themed concert, or use it to bridge contemporary styles with more traditional choral literature. It can serve as an effective opener or closer depending on what precedes and follows it in your set.

Skills your students will build

  • Balanced part singing in SAB voicing with emphasis on harmonic support
  • Phrasing and expression in contemporary popular song contexts
  • Dynamic control and shaping across extended phrases
  • Blend and balance when inner parts carry counter-melodic material

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