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Love Endureth for SSAATTBB Choir: SSAATTBB Choral Octavo

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Love Endureth for SSAATTBB Choir Cover Image

Love Endureth for SSAATTBB Choir: SSAATTBB Choral Octavo

By Roxanna Panufnik

Item: 98-EP72284

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Description

Employing Spanish Sephardic Jewish chant, in English and Hebrew, this piece is an a cappella setting (SSAATTBB) of the jubilant Psalm 135

Commissioned by Soli Deo Gloria Inc. for Westminster Cathedral Choir. World premiere March 5th, 2012, Westminster Cathedral (Vespers)

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 28
ISBN10: 0-57-700160-4
ISBN13: 979-0-57-700160-9
SKU: 98-EP72284

More about this title

About the Composer: Roxanna Panufnik

Roxanna Panufnik is a British-Polish composer whose work spans orchestral, choral, and chamber repertoire. She draws consistently on her cultural heritage and spiritual interests, creating pieces that blend contemporary compositional language with traditional musical sources. Her commissions from major institutions and cathedrals reflect her distinctive voice in sacred and secular choral music.

Why we love this

The harmonic language feels both ancient and fresh, grounding the text in Spanish Sephardic tradition while remaining accessible to singers and listeners. A cappella writing for eight parts demands careful balance and blend, yet Panufnik's voice leading rewards that effort with stunning sonorities. Programming this lets you explore a less-charted corner of choral repertoire without sacrificing musicality or rehearsal feasibility.

What to expect

Jubilant and luminous. The chant material surfaces and recedes through the voices, creating waves of texture that feel both ceremonial and warmly human. There's a sense of gathering and celebration, reflected in the psalm's praise of God's endurance.

Who it's for

Advanced or semi-professional choirs with secure readers and comfort managing eight independent lines. This works for groups that have experience with a cappella repertoire and can sustain tone without instrumental support.

How to get the most out of it

  • Establish the Spanish Sephardic chant melody clearly in the opening, whether that falls to sopranos or altos depending on your arrangement. The listeners need to recognize it as the structural anchor.
  • Map out which parts carry harmonic foundation versus decorative material. Eight voices can easily blur without intentional listening assignments during rehearsals.
  • Balance the English and Hebrew text by drilling pronunciation separately before integrating. The shift between languages is part of the piece's identity.
  • Record a skeleton arrangement (perhaps just sopranos and basses) early in rehearsals so singers can hear how their voice sits within the harmonic structure.

How to use it

Consider pairing this with other spiritually grounded choral works for a concert centered on faith traditions and musical cross-pollination. Its 28-page scope and a cappella independence make it a natural centerpiece for a spring concert or special liturgical occasion.

Skills your students will build

  • Sustaining tone without accompaniment across extended phrases
  • Balancing eight independent voice lines for blend and intonation
  • Navigating text switching between English and Hebrew
  • Reading and interpreting Sephardic Jewish musical idioms
  • Maintaining clarity in thick harmonic textures

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