Love Divine Cover Image

Love Divine: Wind Band Score & Parts

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Love Divine Cover Image

Love Divine: Wind Band Score & Parts

By Howard Goodall / arr. Alastair Wheeler

Level: Intermediate

Item: 12-0571571166

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Description
One of Howard Goodall's most popular choral settings, "Love Divine" has been skillfully arranged for wind band by Alastair Wheeler, with the approval of the composer. This version is based on the setting with piano and strings and can be performed as a self-standing concert work or as an accompaniment for performance by a large choir.

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Additional Details
Series: Faber Edition: Faber Wind Band Series
Publisher: Faber Music
ISBN10: 0-571-57116-6
ISBN13: 978-0-571-57116-1
UPC: 9780571571161
SKU: 12-0571571166
Instrumentation: Wind Band

More about this title

About the Composer: Howard Goodall

Howard Goodall is a composer, conductor, and broadcaster whose work spans classical music, film scores, and educational programming. He is particularly known for creating accessible choral music that combines harmonic sophistication with emotional directness, making his compositions staples in both amateur and professional choral contexts.

Why we love this

This arrangement transforms one of Goodall's most performed choral works into a wind band showpiece without losing the lyrical warmth that makes the original so compelling. Wheeler's orchestration respects the composer's harmonic language while giving wind players the chance to sing through richly voiced passages, making it equally effective as a standalone concert work or as accompaniment for a massed choir.

What to expect

Serene and meditative, with moments of gentle swelling emotion. The arrangement unfolds with a hymn-like quality, inviting listeners into reflective space while the woodwind and brass textures add warmth and color to music rooted in genuine spiritual expression.

Who it's for

Wind band directors seeking music that demands musical maturity and sensitivity without extreme technical difficulty. This work suits bands with solid blend and dynamic control, and it appeals to audiences who value melodic substance and harmonic interest over spectacle.

How to get the most out of it

  • Balance the inner voices carefully; wind band voicing can obscure the harmonic progressions that give this piece its emotional weight. Listen to the original choral setting to hear how the counterpoint should breathe.
  • Shape phrases across full harmonic blocks rather than breaking at bar lines. The arrangement asks for sustained, lyrical playing that mirrors the smoothness of the choral original.
  • If performing with a choir, ensure the wind band sits back dynamically during choral passages and steps forward during instrumental sections. Rehearse balance points explicitly with the choir present.
  • Take care with the arrangement's key relationships and modulations. Goodall's harmonic motion is often subtle; precision in intonation reveals the movement between chords rather than obscuring it.

How to use it

Program this as the centerpiece of a concert devoted to British choral and wind music, or pair it with other sacred or inspirational works for variety. It works especially well in spring concerts or as part of an evening celebrating composition rather than virtuosity. If your choir is involved in the concert, consider performing the full ensemble version where both the choir and band shine together in the same piece.

Skills your students will build

  • sustaining long phrases without breath interruptions
  • listening across the ensemble for harmonic balance and intonation
  • responding to lyrics and emotional content within an instrumental arrangement
  • coordinating with a vocal ensemble when performing the dual version

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