Love Came Down: 2-Part Choral Octavo
(A Partner Song with "Away in a Manger")
Traditional Carol, incorporating the poetry of Christina Rossetti / arr., with new music, by Ruth Morris Gray
Item: 00-PO-0001839
Minimum order quantity: 20 copies
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Description
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About the Arranger: Ruth Morris Gray

Ruth Morris Gray serves as Director of Choirs at Rosemead High School in Rosemead, California, where she has led the choir program since 2004. She also teaches piano at the school and has composed over 100 choral works, bringing both performance experience and compositional depth to her arrangements. Gray holds a Bachelor of Music degree in Piano Performance and Composition from Biola University and a Master of Arts in Music Composition from the University of California, Santa Barbara. She completed her California Single Subject Music Credential at California State University, Northridge.
Beyond her work in the classroom and as a published composer, Gray balances her musical life with travel, swimming, reading, and cycling alongside her husband, Douglas.
Why we love this
This arrangement pairs two distinct musical voices in a way that develops real independence without requiring advanced sight-reading. The marriage of "Away in a Manger" with Rossetti's contemplative text creates intellectual and emotional depth that matures gracefully; a younger choir learns the mechanics of partner singing while an older ensemble discovers the genuine artistry Gray has embedded in the counterpoint and text setting.
What to expect
There is quiet reverence here, with two lines of melody weaving together in conversation rather than competition. The union of a beloved carol with Rossetti's reflective words creates an intimate warmth, the kind of stillness that comes from listening closely to another voice and answering with your own.
Who it's for
This octavo serves elementary and middle school choirs developing part-singing skills, as well as high school and adult ensembles seeking accessible yet musically substantive Christmas repertoire. The partner song format makes it ideal for younger singers; the poetic arrangement appeals equally to mature choirs looking for alternatives to familiar sacred carols.
How to get the most out of it
- Balance the two melodic lines so each part sings as if leading the phrase, not supporting. This prevents the upper voice from dominating simply by sitting higher on the staff.
- Highlight the poetic language from Rossetti's text through shape and breath placement; treat phrase endings with care, allowing the words to resonate before moving forward.
- Use the recorded accompaniment as a rehearsal reference for finding secure pitch centers and harmonic awareness, then rehearse the two parts separately before combining them.
How to use it
Program this as a meaningful counterpoint to livelier Christmas selections, allowing your concert to shift emotional register mid-set. The eight-page length and straightforward two-part writing make it perfect for December performances where rehearsal time is limited, yet the literary pairing elevates it beyond a simple seasonal filler.
Skills your students will build
- Vocal independence in two-part singing
- Sustaining a melodic line while a second part moves independently
- Expressive interpretation of poetic text
- Harmonic awareness through partner song experience
- Phrase shape and breath placement in sacred music