Lost!: Concert Band Conductor Score & Parts
By Chris Martin / By Guy Berryman / By Jon Buckland / By Will Champion / As performed by Coldplay / Arranged by Robert Longfield
Grade: 1.5
Item: 35-PK00187111
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Lost! - Full Score | $6.00 | |
| Lost! - Flute | $6.00 | |
| Lost! - Oboe | $6.00 | |
| Lost! - Bassoon | $6.00 | |
| Lost! - Bb Clarinet 1 | $6.00 | |
| Lost! - Bb Clarinet 2 | $6.00 | |
| Lost! - Bb Bass Clarinet | $6.00 | |
| Lost! - Eb Alto Saxophone 1 | $6.00 | |
| Lost! - Eb Alto Saxophone 2 | $6.00 | |
| Lost! - Bb Tenor Saxophone | $6.00 | |
| Lost! - Eb Baritone Saxophone | $6.00 | |
| Lost! - Bb Trumpet 1 | $6.00 | |
| Lost! - Bb Trumpet 2 | $6.00 | |
| Lost! - F Horn | $6.00 | |
| Lost! - Trombone/Baritone B.C. | $6.00 | |
| Lost! - Baritone T.C. | $6.00 | |
| Lost! - Tuba | $6.00 | |
| Lost! - Percussion 1 | $6.00 | |
| Lost! - Percussion 2 | $6.00 | |
| Lost! - Bells | $6.00 |
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Description
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More about this title
About the Composer: Chris Martin
Chris Martin is the primary songwriter and lead vocalist of Coldplay, the British rock band that emerged in the early 2000s with a distinctive blend of alternative rock, pop sensibility, and melodic depth. His compositional approach combines accessible, hook-driven melodies with harmonic sophistication, making his work particularly attractive for educational arrangements across multiple ensemble types and ability levels.
Why we love this
Robert Longfield's arrangement captures the emotional core of Lost! without overwhelming younger musicians. The Grade 1.5 scoring gives every section meaningful material, and the two-minute-fifty-second runtime fits perfectly into concert pacing without dominating a program.
What to expect
Introspective yet propulsive. The arrangement opens with enough restraint to draw listeners in, then builds into an infectious groove that feels both modern and genuinely moving. There's a sense of emotional clarity here, without any heavy-handedness.
Who it's for
Band directors programming for younger ensembles (Grades 5-8) or smaller high school bands who want contemporary material that doesn't sacrifice musical substance. Students respond immediately to Coldplay's catalog, making this an excellent engagement tool for building enthusiasm without lowering expectations.
How to get the most out of it
- Balance the melody across your woodwind and brass sections so the memorable hook remains clear even when the full band enters. One section dominating will muddy the pop sensibility.
- Pay attention to the rhythmic drive. Rock grooves live or die on ensemble precision, not on pushing tempo. Lock your rhythm section first, then layer the other parts.
- Coldplay's production style relies on space and dynamics. Don't fear the softer passages; they make the full-band moments land with real impact.
How to use it
Use this as a programming anchor for a contemporary-music concert, or pair it with film score or other pop-rock arrangements to create a thematic set. At under three minutes, it works beautifully as a first-half closer or as a mood shifter between classical pieces.
Skills your students will build
- Balancing melody and accompaniment in pop-rock textures
- Maintaining steady rhythmic groove with precision
- Dynamic control across soft and full-band dynamics
- Reading and playing contemporary harmonic language