Lord's Prayer Cover Image

Lord's Prayer: Brass Choir Score & Parts

$25.00 USD
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Lord's Prayer Cover Image

Lord's Prayer: Brass Choir Score & Parts

By Jeff Smallman

Level: Easy-Medium

Item: 81-BC9922

$25.00
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Description
Originally set for SATB choir, this simple chorale is a beautiful addition to the sacred music repertoire. Truly written as a "choral" work, be it brass or vocal, there are no extended solos to be found here. It is scored for 2 trumpets, 2 horns, 2 trombones, and tuba. Because of the simplicity of the writing, this work is easy to learn and accessible to all audiences.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-582-8
ISBN13: 978-1-55472-582-3
UPC: 685462000913
SKU: 81-BC9922
Instrumentation: 2.2.2.0.1

More about this title

Why we love this

Smallman respects the integrity of the original chorale while writing idiomatically for brass. The absence of showy solo passages means every player stays engaged in the collective sound, making this work equally rewarding for developing ensembles and experienced groups. It's a rare sacred brass piece that feels genuinely chorale-like rather than orchestral.

What to expect

Reverent and grounded. The piece unfolds with quiet dignity, the kind of straightforward sincerity you find in traditional hymn arrangements. There's no flash here, just honest four-part writing that lets the familiar prayer speak through clear brass voicing.

Who it's for

Brass choirs looking for accessible sacred repertoire that doesn't require virtuosic soloists or advanced technical demands. This work suits groups preparing for festival or concert programming, as well as those seeking material that builds ensemble listening skills without overwhelming younger or newer players.

How to get the most out of it

  • Balance the four-part texture by thinking of the two trumpets and two horns as the upper voices, trombones as inner voices, and tuba as the foundation; adjust dynamic levels so no single part dominates the harmonic fabric.
  • Pay careful attention to phrase length and breath points, treating this like you would a vocal chorale; long lines require breath management across the ensemble, not individual players stopping and starting.
  • Shape the harmonic progression by allowing natural rubato and slight tempo flexibility at cadential moments, especially if performing in a sacred context where reflection is appropriate.
  • Balance intonation in the sustained chords by having players listen to the thirds and fifths within each sonority rather than just matching the lead voice.

How to use it

Program this alongside other sacred works to create a unified thematic concert, or use it to open a brass choir concert with a moment of reflection before transitioning to more energetic pieces. Its accessibility makes it an excellent choice for interfaith or community events where musical simplicity and emotional clarity matter more than virtuosity.

Skills your students will build

  • Four-part harmonic listening and balance
  • Breath management in sustained melodic lines
  • Intonation tuning within seventh and third intervals
  • Chorale-style phrasing and cadential shape

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