Lord Of All (Infant Holy, Infant Lowly) Sheet Music Preview

Lord Of All (Infant Holy, Infant Lowly): SATB Choral Octavo

Arranged by Chris Jones

Item: 35-DS01104107

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS01104107

More about this title

Why we love this

Jones finds fresh harmonic territory in a tune many singers know by heart, creating an arrangement that rewards both ensemble singers and listeners with unexpected color. The writing sits comfortably for mixed voices while introducing genuine musical ideas rather than simply resetting the melody in four parts.

What to expect

Warm and introspective, with the familiarity of a beloved carol paired with harmonies that invite listeners to hear the tune anew. The piece maintains the carol's reflective character while adding depth and contemporary harmonic thinking.

Who it's for

Intermediate to advanced mixed choirs seeking substantial Christmas repertoire that goes beyond the obvious. This works equally well for community ensembles and secondary school programs looking for arrangements with musical substance.

How to get the most out of it

  • Balance the soprano line carefully during the melody statements; this arrangement gives the tune breathing room, so resist the urge to oversell it early.
  • Work the inner voices independently first to establish how Jones uses the lower three parts to support and color the tune, then layer the soprano in.
  • Let the harmonic movement breathe. This piece rewards singers who hear the chord progressions and shape phrases through harmonic function rather than forcing mechanical phrasing.

How to use it

Slot this into the heart of a Christmas concert after lighter fare, where it can anchor a set of seasonal works. At eleven pages, it provides enough substance to stand alone or pair with a contrasting carol of different character or era.

Skills your students will build

  • Sustaining pure vowels across harmonic shifts
  • Blending parts within vertical sonorities
  • Following secondary harmony while maintaining tune integrity
  • Balancing melody and accompaniment in four-part writing

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