Lord, I'm Discouraged Sheet Music Preview

Lord, I'm Discouraged: Authentic Guitar TAB

Hold Steady

Item: 00-PS-0013071

Digital Download
$5.99
Description
Seventeen of The Hold Steady's greatest songs in their first full guitar TAB collection. Titles: Killer Parties * The Swish * Chips Ahoy * Citrus * Girls Like Status * South Town Girls * Stuck Between Stations * Hurricane J * Rock Problems * The Sweet Part of the City * The Weekenders * Cattle and the Creeping Things * Your Little Hoodrat Friend * Constructive Summer * Lord I'm Discouraged * Sequestered In Memphis * Stay Positive.

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Additional Details
Series: Guitar TAB Anthology
Publisher: Alfred Music
Page Count: 96
SKU: 00-PS-0013071

More about this title

About the Composer: Craig Finn

Craig Finn is the lead singer and primary songwriter of The Hold Steady, the Minneapolis rock band that emerged in the early 2000s and built a devoted following through relentless touring and storytelling-driven songwriting. His collaborations with guitarist Tad Kubler produced some of the most recognizable indie rock of the last two decades, characterized by narrative-rich lyrics, infectious melodies, and guitar work that rewards close study.

Why we love this

This collection captures songs that are genuinely fun to play and instantly recognizable to students, making it a rare bridge between serious guitar study and music that feels current and cool. The TAB notation paired with these seventeen tracks gives guitarists real incentive to dig into the specific voicings, rhythmic patterns, and lead lines that define the band's sound. Programming these pieces in a recital or jam session context energizes younger ensembles and demonstrates that rigorous guitar study doesn't require classical repertoire.

What to expect

Energetic and conversational, these songs feel lived-in rather than polished. The guitar work sits somewhere between earnest indie rock and bar-band grit, with melodies that stick in your head and rhythms that make you want to move. There's an honesty in the arrangements that makes them feel entirely achievable for a serious student.

Who it's for

Intermediate to advanced guitarists who want to decode real band arrangements and understand how rock guitar functions in a contemporary context. This collection serves players aged 14 and up who are ready to move beyond lesson books and learn directly from recorded music they already respect.

How to get the most out of it

  • Lock into the rhythmic pocket by studying how the guitar interacts with the drums on tracks like "Stuck Between Stations" and "Constructive Summer"; these songs rely on precise timing rather than flashy technique.
  • Pay attention to the dynamic shifts within each song, particularly the contrast between verse and chorus sections, which often determine the overall arrangement and feel.
  • Use the recorded versions as reference while learning; The Hold Steady's studio arrangements show how the written parts sit in the mix and where emphasis belongs.
  • Work through the TAB slowly to clarify fingering before attempting the full tempo, especially on songs with frequent position shifts or open string interplay.

How to use it

Feature individual tracks in a guitar recital or band showcase to demonstrate how students engage with contemporary music at a high level. Use this collection as a semester-long study of rock songwriting and arrangement, selecting different songs each week for performance or analysis. It also works well as supplementary material for guitarists in an ensemble context, giving them substantive arrangements to learn beyond standard method books.

Skills your students will build

  • Reading standard notation and TAB simultaneously across full song arrangements
  • Understanding rock rhythm guitar techniques including palm muting, dynamic picking, and groove-oriented phrasing
  • Recognizing and executing common open tuning variations and voicing choices in contemporary rock
  • Translating recorded performances into written arrangements by ear and notation
  • Building stamina and consistency through longer, multi-section compositions

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