Lookin' for a Good Time: Piano/Vocal/Chords
Lookin' for a Good Time: Piano/Vocal/Chords
Lookin' for a Good Time Sheet Music Preview

Lookin' for a Good Time: Piano/Vocal/Chords

Words and music by Charles Kelley, Dave Haywood, Hillary Scott, and Keith Follese / recorded by Lady Antebellum

Item: 00-PIP-000628
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Description
Their second Top 40 hit on the Billboard country charts, "Lookin' for a Good Time" is Lady Antebellum's second single off their self-titled debut album. The song was co-written by the trio's three members (Dave Haywood, Charles Kelley, and Hillary Scott) along with Keith Follesé, and it features lead vocals from both Kelley and Scott. The original sheet music edition of "Lookin' for a Good Time" is arranged for Piano/Vocal/Chords.

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Additional Details
Series: Original Sheet Music Edition
Publisher: Alfred Music
Page Count: 8
SKU: 00-PIP-000628

More about this title

About the Composer: Charles Kelley

Charles Kelley is a founding member and vocalist of Lady Antebellum, the country trio that emerged from Nashville in the mid-2000s. As both performer and songwriter, Kelley has co-written many of the band's signature hits, bringing his understanding of vocal harmony and country songcraft directly into the studio.

Why we love this

This arrangement captures the infectious energy of a country chart hit while remaining accessible for pianists and vocalists at intermediate levels. The piano/vocal/chords format makes it ideal for solo performance, studio work, or accompanying singers who want to learn a contemporary country standard without excessive technical demands.

What to expect

Energetic and conversational, this song captures the carefree spirit of its title. The melody sits naturally in the voice, with the piano providing rhythmic drive and harmonic color that feels both country-forward and polished.

Who it's for

This arrangement suits pianists and vocalists working on contemporary country repertoire, whether for recital, studio recording, or casual performance. It's also valuable for vocal students exploring modern songwriting and for pianists seeking current material that balances accessibility with authentic arrangement.

How to get the most out of it

  • Balance the lead vocal with the piano part; the arrangement supports rather than overwhelms the singer, so resist the urge to overplay accompaniment figures.
  • Pay attention to the harmonic language around the chords. Country progressions often favor specific voicings, and the provided chord symbols guide both pianist and vocalist toward authentic phrasing.
  • Work out the vocal melody and piano line separately first, then integrate them so the accompaniment breathes with the vocalist's phrasing rather than fighting against it.
  • Use the 8-page length to your advantage; mark sections clearly so both performer and accompanist can see section repeats and transitions without losing their place.

How to use it

Include this in a recital program showcasing contemporary country hits or as part of a themed set exploring modern songwriting. It also works well as a bridge between classical and popular repertoire in student performances or as a confident closer in a more casual concert setting.

Skills your students will build

  • Singing over a country-inflected harmonic progression
  • Coordinating vocal phrasing with piano accompaniment
  • Reading and voicing chord symbols in a contemporary context
  • Understanding vocal ranges and tessitura in country music
  • Interpreting lead vocal performance on a chart hit

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