Look In The Mirror Sheet Music Preview

Look In The Mirror: 3-Part Mixed Choral Octavo

By Audrey Snyder

Item: 35-DS00502849

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Additional Details
Publisher: Hal Leonard
Page Count: 13
SKU: 35-DS00502849

More about this title

About the Composer: Audrey Snyder

Audrey Snyder has established herself as a prolific composer of accessible choral music that resonates with singers across skill levels. Her output spans concert works, pop arrangements, and educational pieces that balance musical substance with singability, making her a trusted voice in the choral repertoire.

Snyder's compositions are known for their contemporary sensibility paired with solid harmonic writing. Directors return to her catalog repeatedly because her pieces engage singers without sacrificing musicianship or artistic integrity.

Why we love this

This piece lands in that sweet spot where pop sensibility meets genuine choral craft. The three-part mixed voicing creates real harmonic interest without the complexity that can derail younger ensembles, and the contemporary style gives singers something they actually want to sing.

What to expect

Fresh and modern with an introspective lyrical core. The pop styling keeps the energy contemporary while the harmonic writing gives it emotional depth beyond typical popular music.

Who it's for

Choirs of mixed ages and experience levels will find this accessible and rewarding. It works particularly well for ensembles exploring pop and contemporary styles without abandoning choral fundamentals.

How to get the most out of it

  • Balance the part writing so the middle voice isn't buried; in pop arrangements this voice often carries harmonic color that makes the piece work.
  • Lock in rhythmic precision on syncopated figures so they feel intentional rather than sloppy.
  • Keep the diction conversational and natural; overly formal articulation will kill the pop sensibility.
  • Use the recorded accompaniment as a rehearsal tool, but challenge singers to sing without it in performance to build independence.

How to use it

This fits naturally in a concert that showcases stylistic range, serving as a bridge between classical repertoire and fully contemporary pop settings. It also works as a strong closer for a spring concert where you want to leave audiences with something singable and uplifting.

Skills your students will build

  • Blending three-part mixed voicing with balanced harmonic texture
  • Reading and executing syncopated rhythmic patterns
  • Stylistic differentiation between classical and contemporary vocal production
  • Conversational diction and natural phrasing in a pop context

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