Florence Price (1887–1953) broke barriers as the first African American woman to be recognized as a composer of international standing. She earned degrees in music theory and composition while navigating the racial segregation of early 20th-century America, and her output spanned art songs, chamber works, symphonies, and piano pieces that drew on African American spirituals, blues idioms, and European classical forms.
Price's piano works remain essential teaching repertoire precisely because they model how to build meaningful musical statements from simple materials. Her pieces reward careful attention to voicing, pedaling, and the subtle emotional shifts that characterize her compositional voice. Teaching her music places students in direct conversation with one of American classical music's most vital voices.