Lollipops and Butterflies Sheet Music Preview

Lollipops and Butterflies: Piano

By Edwin McLean

Item: 98-DW9378

Digital Download
$4.95
Description
A dreamy-sounding piece for the early elementary student that offers practice playing 8va in both hands; tied notes; pedal; legato melodic lines; and quarter, half, and whole notes. Students will enjoy this piece that describes these child-like images at bedtime.

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Additional Details
Series: Written For You
Publisher: The FJH Music Company, Inc.
SKU: 98-DW9378

More about this title

Why we love this

McLean captures that suspended, twilight state between waking and sleep with harmonic and textural choices that feel genuinely atmospheric rather than saccharine. The piece asks students to handle multiple technical demands at once (octaves, pedal, legato) without overwhelming them, making it an efficient teaching tool that doesn't sacrifice musical integrity.

What to expect

Soft and weightless, like watching dust particles drift through an open window. The octaves create a gentle shimmer while the legato lines drift unhurried overhead, and the whole texture invites you to slow your breathing and settle into a calm, imaginative space.

Who it's for

Early elementary piano students who have mastered basic hand position and can read both treble clef lines confidently. This piece suits students ready for their first experience with octave playing, pedal technique, and longer tied note values, typically around Levels 2-3 in a studio setting.

How to get the most out of it

  • Start the piece with a relaxed wrist to allow the octaves in both hands to sound connected rather than separate; the melody should float above the accompaniment even when both hands occupy the same register.
  • Introduce the pedal gradually during practice, focusing on changes that align with harmonic shifts so the sound stays clear and the dreamy quality emerges without muddiness.
  • Work the tied notes as a rhythmic reading challenge before worrying about tone; once the student reads the ties confidently, the phrasing and breath points will follow naturally.
  • Balance the quarter notes against the longer note values; resist the urge to rush through the quicker passages, which will keep the bedtime imagery intact.

How to use it

Program this as a solo recital piece for an early elementary student showcase or spring studio recital, where its intimate, imaginative character offers a restful contrast to more rhythmically driven repertoire. It also makes an effective closing piece on a student performance, leaving the audience in a serene mood.

Skills your students will build

  • Playing octaves with both hands in treble clef
  • Reading and sustaining tied notes across barlines
  • Pedal technique coordinated with harmonic changes
  • Legato phrasing and melodic shaping
  • Reading mixed note values (quarter, half, and whole notes) in a single piece

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