Lohengrin: Act II; Sc, 4: Elsa’s Procession to the Cathedral: Gesegnet soll sie schreiten (excerpt) Cover Image

Lohengrin: Act II; Sc, 4: Elsa’s Procession to the Cathedral: Gesegnet soll sie schreiten (excerpt): Full Orchestra Conductor Score & Parts

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Lohengrin: Act II; Sc, 4: Elsa’s Procession to the Cathedral: Gesegnet soll sie schreiten (excerpt) Cover Image

Lohengrin: Act II; Sc, 4: Elsa’s Procession to the Cathedral: Gesegnet soll sie schreiten (excerpt): Full Orchestra Conductor Score & Parts

By Richard Wagner

Item: 36-A391502

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Description
Finished in 1848 and premiered in 1950 in Weimar, Germany, Richard Wagner's (1813-1883) LOHENGRIN tells a story of a tragic medieval German romance in the Knight of the Swan tradition. Elsa, a princess in Brabant, is rescued and wedded by a knight in shining armor who insists on remaining nameless. While everyone is familiar with the famous wedding march from the opera (commonly referred to today as "Here Comes the Bride"), "Elsa's Procession to the Cathedral" or "Solemn Procession to the Cathedral" is the actual wedding march, with Elsa and a long train of ladies proceeding slowly and ascending the steps of the cathedral. Musically expressing Elsa's innocent yearning and growing expectation, the choir sings as the orchestra accompanies. This complete excerpt of Act II, Scene 4 includes the very beginning of the next scene to offer cadence options. Instrumentation: 3.2+EH.2+BCl.3: 4.3.3.1: Timp: Str (4-4-3-3-3 in set): 4 OnStgTpt: Mx Chor. The choral score is available separately as item 36-A223592.

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
UPC: 735816321727
SKU: 36-A391502
Instrumentation: Serious Opera, Orchestra Accompaniment

More about this title

About the Composer: Richard Wagner

Richard Wagner (1813-1883) fundamentally transformed opera by integrating music, drama, and spectacle into unified artistic statements. His harmonic innovations and leitmotif technique (assigning melodic themes to characters and ideas) shaped twentieth-century composition across all genres. Wagner's operas demand serious orchestral and choral resources; conducting his work requires musicians who can balance grandeur with nuance and sustain long, emotionally complex arcs.

Why we love this

This excerpt sits at the heart of one of opera's most performed moments, yet it remains distinct from the bridal march everyone recognizes. The slow, processional character gives conductors and orchestras room to shape phrasing and dynamics with real intention, and the choral writing adds ceremonial weight without overwhelming the ensemble. Programming this teaches musicians what Wagnerian operatic texture actually sounds like.

What to expect

Elsa's procession unfolds like a ceremony caught between joy and uncertainty. The orchestration shimmers with expectation; long, sustained harmonies and gently rolling accompaniment figures create an almost dreamlike forward motion. Wagner's melody carries innocence and yearning, undercut by harmonic tensions that whisper of the tragedy to come.

Who it's for

Orchestras with established choral partnerships and conductors ready to tackle Romantic-era operatic writing. This excerpt works for intermediate to advanced ensembles seeking substantial classical repertoire that rewards detailed preparation and involves both instrumental and vocal musicians.

How to get the most out of it

  • Balance the choral line carefully; it should float over rather than push through the orchestral accompaniment. Rehearse choir and orchestra separately first to establish the independence of each layer.
  • Conduct with a steady, unhurried pulse. Wagner's processions move with ritual deliberation, not momentum. Allow space for breath and for listeners to absorb the harmonic movement.
  • Watch the transitions between sections closely. Use the included cadence options at the end to ensure a clean, satisfying conclusion for your chosen stopping point.
  • The brass and woodwind doublings should blend rather than dominate. Adjust balances in rehearsal so no single instrumental color overwhelms the solemn character.

How to use it

This works beautifully on a concert that explores operatic tradition or features Wagner's orchestral music. It can stand alone as a concert opera excerpt or anchor a program pairing it with instrumental works by composers Wagner influenced. The excerpt's contained length and ceremonial character make it ideal for spring concerts or special occasions.

Skills your students will build

  • Reading and sustaining long Wagnerian phrases across extended harmonic progressions
  • Balancing choral and orchestral lines with transparency rather than dominance
  • Interpreting period-specific operatic style through conductor gesture and ensemble response
  • Executing Wagner's characteristic doublings and orchestral color blending across woodwind and brass sections

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