Lo, How a Rose Cover Image

Lo, How a Rose: Concert Band Conductor Score

$6.00 USD
Sale price  $6.00 USD Regular price 
Skip to product information
Lo, How a Rose Cover Image

Lo, How a Rose: Concert Band Conductor Score

By Mark Williams

Grade: 1.5 (Easy)

Item: 00-29443S

$6.00
Shipped

One moment…

Description
This beautiful carol truly shines in this sensitive, creative treatment. After a gentle introduction and an introspective first statement of the tune, a key change signals the pairing of the main theme with "Hark, the Herald Angels Sing" and "The Twelve Days of Christmas." Great for developing tone quality and intonation, this is an ideal holiday program selection. (2:25)
Correlated with Accent on Achievement, Book 2, page 24.

Lo, How a Rose: Concert Band Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Accent on Achievement
Publisher: Alfred Music
Page Count: 8
UPC: 038081322414
SKU: 00-29443S

More about this title

About the Composer: Mark Williams

Mark Williams

Mark Williams built his reputation on music that works in real school band rooms. A prolific composer with over 200 published works, he co-authored the Accent on Achievement Band Method and spent decades writing specifically for young ensembles. His experience teaching elementary band in Washington state shaped his understanding of what students could accomplish at each level.

Williams earned degrees from Eastern Washington University and performed professionally as a bassoon player and arranger for the 560th Air Force Band. His work as a clinician and guest conductor took him across 34 states, five Canadian provinces, and Australia, establishing him as a trusted voice in school music education. He received recognition including the Western International Band Clinic's Gralia Competition and multiple ASCAP Special Awards, and later served as conductor and artistic director for the Spokane British Brass Band.

Why we love this

Williams treats this beloved carol with real compositional care while keeping the technical demands accessible. The pairing of three familiar melodies rewards your band's growing maturity without overcomplicating the arrangement, and the shift into a new key gives students a tangible sense of progress through the piece. This is the kind of holiday selection that feels special to perform because it genuinely sounds good, even at Grade 1.5.

What to expect

Quiet and introspective at the start, with warmth building gradually as the familiar carols emerge. The key change brings a moment of gentle surprise and harmonic richness that feels earned rather than jarring, creating a sense of arrival without demanding virtuosic playing.

Who it's for

Directors working with Grade 1.5 bands who want a substantial holiday piece that doesn't require advanced musicianship. The piece also aligns naturally with Accent on Achievement Book 2, making it ideal for ensembles using that method series.

How to get the most out of it

  • Shape the opening with restraint. The gentle introduction sets the reflective tone for everything that follows; resist the urge to swell too early.
  • Isolate the harmonic clash where the three melodies overlap in the key change section. Have your band rehearse just those measures to ensure the sonority feels intentional rather than muddled.
  • Balance the main theme against its supporting voices. The tune should sing clearly, but the countermelodies need enough presence that listeners hear all three carols distinctly.
  • Use the recorded accompaniment as a reference for tempo and phrasing, but trust your ear for intonation adjustments in that key change moment.

How to use it

Program this as a centerpiece in a winter concert's quieter opening section, or pair it with a livelier carol arrangement to frame a balanced holiday set. At 2 minutes 25 seconds, it fits naturally into a longer program without dominating the time.

Skills your students will build

  • sustaining consistent tone quality across a full phrase
  • matching intonation in a key change
  • balancing independent lines within a four-part harmonic framework
  • interpreting dynamic contrast in a lyrical context
  • reading multiple melodic lines moving simultaneously

You May Also Like