Little Suite for Band Cover Image

Little Suite for Band: Concert Band Conductor Score & Parts

$85.00 USD
Sale price  $85.00 USD Regular price 
Skip to product information
Little Suite for Band Cover Image

Little Suite for Band: Concert Band Conductor Score & Parts

By Randall Standridge

Grade: 2

Item: 98-B1591

makemusic Cloud badge

Need it now?

Buy Digital Version
$85.00
Shipped

One moment…

Description
This wonderful, original suite has elements of folk melodies and is an ideal way to introduce students to multi-movement works. Students will learn multiple meters, key signatures, and styles in the four movements, titled Ayre, Gigue, Ballad, and March. Rewarding and extremely accessible, the music uses a careful instrumentation and range to make sure even smaller ensembles will sound full and confident.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Little Suite for Band: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
SKU: 98-B1591

More about this title

About the Composer: Randall Standridge

Randall Standridge

Randall Standridge earned degrees in music education and composition from Arkansas State University, where he studied with Tom O'Connor and Tim Crist. From 2001 to 2013, he directed the band program at Harrisburg High School in Arkansas before transitioning to full-time composition and marching arts design.

Standridge's works appear in major publishers including Alfred Music and FJH Music, and his compositions are performed worldwide. Three of his pieces appear in the Teaching Music Through Performance in Band series, and his work has been featured at the Midwest Clinic and national conferences. Beyond composition, he owns Randall Standridge Music and serves as a sought-after arranger and drill designer for marching ensembles.

Why we love this

Standridge designed this suite specifically for the reality of young band programs: it sounds substantial and stylistically rich without requiring a massive or specialized instrumentation. The four movements give students exposure to genuinely different musical contexts, folk-influenced melody, rhythmic dance, lyrical expression, and march convention, all at an honest Grade 2 difficulty that doesn't patronize their musicianship.

What to expect

Accessible without being simplistic. The suite moves between folk warmth, energetic rhythmic play, intimate expression, and ceremonial confidence. Each movement breathes distinctly, yet the overall arc holds together as a coherent musical statement.

Who it's for

Grade 2 bands of any size, including those with limited instrumentation. Directors building a curriculum that includes multi-movement forms without overwhelming developing musicians.

How to get the most out of it

  • Balance the folk character of the Ayre by letting the melody singers breathe naturally; resist squaring off phrases that want a gentle rubato.
  • The Gigue's rhythmic drive depends on keeping accompaniment figures clean and synchronized; isolate those parts in sectionals before full-ensemble work.
  • Allow the Ballad movement to settle into its own tempo rather than hurrying; younger players often rush when they're emotionally engaged.
  • Lock the march ending with your front ensemble; even small groups project confidence when the percussion foundation is rock-solid.

How to use it

Program it as the centerpiece of a fall or winter concert, pairing it with shorter single-movement works to create a balanced program. It also works excellently as a contest entry, giving adjudicators a clear picture of how well your students understand style and form.

Skills your students will build

  • Reading and performing in multiple meters (including compound and simple time)
  • Distinguishing and executing stylistic conventions across folk, dance, lyrical, and march genres
  • Managing key signature changes across four movements
  • Balancing ensemble sound when harmonic textures shift between movements
  • Understanding four-movement suite structure and form

You May Also Like