Little Shop Of Horrors (from Little Shop of Horrors) (arr. Mark Brymer): Choral Instrumental Pak
Arranged by Mark Brymer
Item: 35-PK00086171
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Description
From the camp musical classic "Little Shop of Horrors" by Howard Ashman and Alan Menken, this is a kitsch-filled romp through 60s nostalgia. Audiences and choirs will love it! Duration: ca. 2:35.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00086171
More about this title
About the Arranger: Mark Brymer
Mark Brymer is a prolific arranger whose work appears regularly in choral catalogs across all levels and voicings. His arrangements are known for capturing the spirit of the original while making material accessible to student ensembles, balancing authenticity with practical classroom constraints.
Brymer's deep understanding of vocal ranges and rehearsal efficiency means his scores serve both musical and pedagogical purposes. Directors consistently turn to his work when they need arrangements that engage singers without requiring exceptional vocal maturity.
Why we love this
Brymer's arrangement preserves the comedic energy and infectious melody that made the original a showstopper while keeping the combo voicing manageable for real-world ensembles. The 2:35 duration means you get a complete, satisfying musical statement without test-of-endurance performance standards. This is the kind of piece that reminds audiences why they love live choral singing and never feels like filler on a concert.
What to expect
Picture a darkly comic 1960s movie opening complete with oversaturated colors and deadpan humor. The music bounces along with rock and doo-wop DNA running through it, juxtaposing innocent melodic charm against slightly unsettling harmonic turns. It feels like a musical comedy that takes itself just seriously enough to land every laugh.
Who it's for
Choirs of all levels will find this accessible and fun, but it shines in programs that can commit to character work and period style. This is ideal for directors who want something contemporary (in spirit) without venturing into modern pop arrangements, and for singers who need a confidence boost from performing something genuinely entertaining.
How to get the most out of it
- Commit fully to the campy attitude. The kitsch isn't ironic when you play it straight; let the harmonic cheekiness and rhythm section groove carry the comedy without winking at the audience.
- Lock the tempo early in rehearsals. The 60s doo-wop and rock sensibilities depend on groove, so establish a steady pulse before layering dynamics or articulation work.
- Give the accompaniment players room to shine during instrumental breaks. A tight rhythm section makes the choir sound tighter too, so spend rehearsal time ensuring the band locks in first.
How to use it
Open a concert with this to set a playful tone, or use it as a palate cleanser between heavier choral works. It also works beautifully on a Broadway or musical theater themed program, where it can anchor a set of theatrical selections. Consider pairing it with other Ashman and Menken material if you want thematic cohesion.
Skills your students will build
- Rhythmic precision in rock and doo-wop idioms
- Blend and balance in a combo voicing with instrumental accompaniment
- Character expression and comedic timing in ensemble singing
- Style flexibility moving between different harmonic languages