Little Boy Lost (from the United Artists film Pieces of Dreams) Cover Image

Little Boy Lost (from the United Artists film Pieces of Dreams): Full Orchestra Conductor Score

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Little Boy Lost (from the United Artists film Pieces of Dreams) Cover Image

Little Boy Lost (from the United Artists film Pieces of Dreams): Full Orchestra Conductor Score

By Michel Legrand / arr. Mike Lewis

Grade: 4

Item: 36-A863201

$12.00
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Description
Hauntingly and intimately beautiful, this coupling of the talents of Michel Legrand and Mike Lewis will have an astonishing impact on audiences.

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Additional Details
Series: Kalmus Symphonic Pops
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887083-7
ISBN13: 978-1-63-887083-8
UPC: 654690545541
SKU: 36-A863201
Instrumentation: Full Orchestra

More about this title

About the Composer: Michel Legrand

Michel Legrand composed for film, theater, and concert hall with equal sophistication, earning three Academy Awards across his career. His gift for melody and orchestration defined the sound of 1960s and 1970s cinema, and his scores remain models of how to balance emotional directness with musical complexity.

Why we love this

This arrangement captures the film's intimate vulnerability without sentimentality, and Mike Lewis preserves Legrand's orchestral textures in a way that keeps the focus on the melody rather than overwhelming it. For orchestras seeking repertoire that feels both cinematic and concert-worthy, this piece delivers genuine emotional resonance that audiences recognize immediately.

What to expect

The piece unfolds with quiet urgency and wistful beauty, built on a melody that lingers in the mind. Legrand's orchestration wraps the theme in warm, intelligent colors that feel both intimate and orchestrally substantial, creating a mood that is contemplative without being heavy.

Who it's for

This conductor score serves orchestras at the intermediate to advanced level seeking accessible film music that maintains artistic integrity. It works equally well for community orchestras, youth symphonies, and school orchestras looking to expand beyond standard pops repertoire.

How to get the most out of it

  • Shape the main theme with a long, singing line; resist the temptation to phrase it in small segments even when orchestration changes.
  • Balance the woodwind and string writing carefully so the arrangement feels transparent rather than lush.
  • Use the dynamic markings to guide emotional peaks and valleys; the beauty of this piece depends on contrast, not uniformity.
  • Conduct with a steady hand through rubato moments; the orchestra will follow more confidently if your pulse remains clear underneath the flexible phrasing.

How to use it

Program this as a closing piece for a pops concert or as a sophisticated bridge between classical and film music selections. It also serves as an excellent opener for a concert exploring 20th-century orchestral film scores.

Skills your students will build

  • Balancing transparent orchestration across multiple sections
  • Conducting flexible, lyrical phrasing while maintaining metric clarity
  • Shaping long melodic lines through orchestration changes
  • Interpreting dynamic nuance in romantic-era inspired film music

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