Litaniae di Venerabili Altaris Sacramento in E-flat, K. 243 Cover Image

Litaniae di Venerabili Altaris Sacramento in E-flat, K. 243: Full Orchestra Conductor Score & Parts

$130.00 USD
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Litaniae di Venerabili Altaris Sacramento in E-flat, K. 243 Cover Image

Litaniae di Venerabili Altaris Sacramento in E-flat, K. 243: Full Orchestra Conductor Score & Parts

By Wolfgang Amadeus Mozart, ed./arr. by Gustav Nottebohm/ Latin text.

Item: 36-A270102

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Description
Wolfgang Amadeus Mozart (1756-1791) composed the Litaniae de Venerabili Altaris Sacramento in E-flat Major, K. 243 in Salzburg in June 1776 while serving as Konzertmeister to the court of Archbishop Hieronymus Colloredo. Intended for the Feast of Corpus Christi and other Eucharistic observances, the work sets the traditional Litany of the Blessed Sacrament for four vocal soloists, chorus, orchestra, and organ. Written during a remarkably productive period that also produced several of Mozart's mature Salzburg sacred works, the litany demonstrates his ability to elevate liturgical forms through expressive choral writing, elegant orchestration, and operatically inspired solo movements while remaining within the practical requirements of church worship. The work was first performed in Salzburg on March 31, 1776. Litaniae de Venerabili Altaris Sacramento, K. 243 is regarded as one of Mozart's finest litany settings and an important example of his sacred music from the Salzburg years. Instrumentation: 2.2.0.2: 2.0.3.0: Org(in score): Str (4.4.3.3.3 in set): Soli SATB: Mix Chorus. Reprint of the Gustav Nottebohm edition, part of the Mozarts Werke.

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Additional Details
Series: Kalmus Choral Library
Publisher: Edwin F. Kalmus
UPC: 604634118256
SKU: 36-A270102
Instrumentation: 2.2.0.2: 2.0.3.0: Org(in score): Str (4.4.3.3.3 in set): Soli SATB: Mix Chorus

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) was born in Salzburg and served as Konzertmeister to Archbishop Hieronymus Colloredo during the 1770s, a period that shaped his compositional voice across multiple genres. Though often remembered for his operas and symphonies, Mozart was a prolific and inventive sacred music composer who understood how to blend liturgical function with artistic substance, creating works that satisfied both ecclesiastical requirements and musical ambition.

Why we love this

Mozart's gift for elegant orchestration and vocally satisfying writing shines throughout this litany setting, giving singers and instrumentalists equally rewarding material. The balance between choral grandeur and operatic solo writing gives performers real dramatic scope while maintaining the devotional character appropriate to its liturgical purpose. Few sacred works of this era combine technical craftsmanship with such genuine musical appeal.

What to expect

The work unfolds with courtly grace and genuine spiritual warmth. Soloists emerge from the chorus to sing operatic passages of surprising intimacy, then blend back into fuller textures that feel both ceremonial and deeply felt. Mozart's orchestration catches light throughout, especially in the brass and woodwind writing, creating an atmosphere of reverence without severity.

Who it's for

This is essential repertoire for conductors seeking substantial sacred music that works in concert or liturgical settings. Ensembles with trained choral singers and competent orchestral players will find a work that rewards serious preparation without requiring specialist expertise.

How to get the most out of it

  • Balance the four soloists carefully against the chorus in the alternating sections; the soloists should project without overwhelming the ensemble sound.
  • Attend to Mozart's dynamic markings with precision. The shift from piano to forte often signals harmonic movement rather than textual change, and observing these creates architectural clarity.
  • Let the organ part anchor the harmonic foundation while allowing the orchestra to move with flexibility in tempo and phrasing.
  • Shape the choral phrases with gentle forward motion; these longer lines benefit from slight rubato within a steady tactus rather than static block phrasing.

How to use it

This litany works beautifully as a concert centerpiece in a program of sacred music spanning the Classical era, or as the anchor to a spring festival program focusing on Mozart's choral writing. Its length makes it suitable for a substantial concert or as part of a Corpus Christi or Eucharistic observance where the liturgical context adds resonance.

Skills your students will build

  • Reading extended choral textures with independent vocal lines
  • Balancing soloists with ensemble in multi-section forms
  • Interpreting Classical-era orchestration and dynamic architecture
  • Understanding liturgical text setting and its musical implications
  • Sustaining tone quality and intonation across longer harmonic progressions

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