Liszt: Un sospiro, S. 144:3 (from <i>Trois études de concert</i>) Cover Image

Liszt: Un sospiro, S. 144:3 (from <i>Trois études de concert</i>): Piano Sheet

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Liszt: Un sospiro, S. 144:3 (from <i>Trois études de concert</i>) Cover Image
Liszt: Un sospiro, S. 144:3 (from Trois études de concert): Piano Sheet

Liszt: Un sospiro, S. 144:3 (from Trois études de concert): Piano Sheet

By Franz Liszt / ed. Maurice Hinson

Level: Advanced

Item: 00-6385
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Description
The third concert etude in D-flat major from Liszt's Trois etudes de concert will challenge advanced pianists with its constant hand-crossings and varying number of cascading notes per measure in the accompaniment. A lovely pentatonic melody is embedded in the rolling arpeggio-like patterns, frequently played by alternating hands throughout the piece. Keeping this cantando melodic line distinct and phrased while transparently maintaining the flowing accompaniment is the primary challenge of this masterwork. This edition is based on Musikalische Werke herausgegeben von der Franz Liszt-Stifung, Series II, edited by Ferruccio Busoni.

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Additional Details
Series: Alfred Masterwork Edition
Publisher: Alfred Music
Page Count: 12
ISBN10: 0-7390-6377-4
ISBN13: 978-0-7390-6377-4
UPC: 038081052694
SKU: 00-6385

More about this title

About the Composer: Franz Liszt

Franz Liszt (1811-1886) revolutionized piano technique and composition throughout the nineteenth century. A Hungarian virtuoso and innovator, he expanded the instrument's range of expression through unprecedented demands on hand independence, rapid passage work, and tonal control. His concert etudes remain cornerstones of advanced piano repertoire, valued equally for their musical substance and technical rigor.

Why we love this

Liszt's concealment of melody within arpeggiation offers a sophisticated challenge that moves beyond mere technical display. The constant hand-crossing and shifting accompaniment patterns demand genuine musicality to prevent the piece from becoming a blur of notes, making it ideal for pianists ready to demonstrate control alongside virtuosity.

What to expect

Un sospiro unfolds like a sigh carried on waves of sound. The listener hears the lyrical melody emerging and dissolving within shimmering arpeggios, creating an intimate and dreamlike atmosphere despite the relentless technical demands beneath the surface.

Who it's for

Advanced pianists preparing solo recital repertoire or competing at high levels will find this concert etude essential to their technical and interpretive development. Teachers seeking a masterwork that balances virtuosic demands with genuine musical substance will appreciate how thoroughly it develops hand independence and voice control.

How to get the most out of it

  • Isolate the pentatonic melody line in separate practice sessions, playing it alone with full legato and phrasing before reintroducing the accompaniment patterns.
  • Establish a steady harmonic pulse beneath the cascading figures; the rolling arpeggios need a secure foundation to keep from rushing through hand-crossings.
  • Shape the melody through dynamic shaping and subtle rubato rather than relying on the accompaniment to create forward motion; the accompaniment should remain transparent and fluid.
  • Map out the hand-crossing points visually before slow practice to ensure smooth transitions and prevent tension in the wrists and forearms.

How to use it

Program this as a concert etude within a recital that explores nineteenth-century piano writing, pairing it with other Liszt concert etudes or contrasting Romantic works that similarly embed melody within figuration. Its D-flat major tonality and substantial length make it a satisfying centerpiece for an advanced student recital.

Skills your students will build

  • Hand independence and coordination through constant crossing patterns
  • Separating melody from accompaniment in complex textures
  • Maintaining consistent arpeggiation while shaping phrased material
  • Managing varying rhythmic subdivisions across alternating hands
  • Sustaining legato across hand positions without interruption
  • Technical control at varied tempos without sacrificing musical line

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