Listen to the Lambs Cover Image

Listen to the Lambs: Concert Band Score

$10.00 USD
Sale price  $10.00 USD Regular price 
Skip to product information
Listen to the Lambs Cover Image

Listen to the Lambs: Concert Band Score

A Religious Characteristic in the Form of an Anthem

By Robert Nathaniel Dett / arr. Clarence E. Barber

Grade: 3

Item: 36-50105332

$10.00
Shipped

One moment…

Description
Listen to the Lambs is, in its original form, an a cappella choral work. Called "a religious characteristic in the form of an anthem" by its composer, the composition is one of breath-taking beauty and sensitivity. It was first published in 1914. (6:00)

Listen to the Lambs: Concert Band Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: LudwigMasters Concert Band
Publisher: LUDWIGMASTERS
ISBN10: 8-88-852482-7
ISBN13: 979-8-88-852482-4
UPC: 676737772628
SKU: 36-50105332
Instrumentation: Concert Band

More about this title

About the Composer: Robert Nathaniel Dett

Robert Nathaniel Dett (1882-1943) was a pioneering African American composer, pianist, and educator whose sacred choral works remain cornerstones of the American concert music canon. His compositions, deeply rooted in spirituals and hymn traditions, brought artistic sophistication to sacred vocal literature at a time when such recognition was extraordinary.

Dett's influence extended far beyond composition. As a music director at Hampton Institute and later at Bennett College, he shaped generations of singers and musicians while advocating fiercely for the legitimacy of African American musical expression in concert settings. His legacy rests not only on works of lasting beauty but on his unwavering commitment to elevating Black musicians and composers within American musical life.

Why we love this

This arrangement opens a sacred classic to concert band without sacrificing the spiritual depth that made the original unforgettable. Grade 3 bands gain access to repertoire of genuine artistic substance, and the six-minute length gives ensembles time to develop dynamic phrasing and expressive control rather than rely on high notes and virtuosity.

What to expect

Serene, reverent, and deeply human. The music unfolds with the quiet dignity of a spiritual made manifest in full band sound, never boisterous but richly expressive. Listeners encounter something both intimate and universal.

Who it's for

Concert bands at the intermediate level seeking sacred repertoire with artistic credibility and cultural significance. Directors programming concerts that showcase spiritual and choral traditions will find this arrangement honors the original while fitting ensemble capabilities.

How to get the most out of it

  • Shape longer phrases with careful attention to breath points in the original choral writing. The vocal origins mean sustained lyricism works better than aggressive articulation.
  • Balance the middle voices and woodwind countermelody; this arrangement asks for textural clarity that requires disciplined section listening during rehearsal.
  • Allow the opening to breathe without rushing. The beauty lies in the space between phrases, not in filling every moment with sound.
  • Support brass players who carry the hymn-like melody with a warm, singing tone rather than ceremonial heaviness.

How to use it

Pair this with other sacred works for a thematic concert segment, or use it as the emotional anchor of a program that traces American musical traditions. The moderate length and introspective nature make it ideal for holiday or spring concerts where contemplative programming enhances the overall arc.

Skills your students will build

  • Sustained phrasing and breath management across longer melodic lines
  • Balance and blend in mixed textures with independent woodwind or brass lines
  • Intonation control in pianissimo and mezzo-piano dynamics
  • Interpretive restraint and expressive playing without technical virtuosity

You May Also Like