Lion’s Pride (from <i>World of Warcraft: Taverns of Azeroth</i> Original Game Soundtrack) Cover Image

Lion’s Pride (from <i>World of Warcraft: Taverns of Azeroth</i> Original Game Soundtrack): String Orchestra Conductor Score

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Lion’s Pride (from <i>World of Warcraft: Taverns of Azeroth</i> Original Game Soundtrack) Cover Image

Lion’s Pride (from World of Warcraft: Taverns of Azeroth Original Game Soundtrack): String Orchestra Conductor Score

Music by Jason Hayes / arr. Victor López

Grade: 1.5

Item: 00-35911S

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Description
With a very catchy melody and repetitive rhythms that make it easy to rehearse, this is one of those current pieces which students can relate to that still allows for teaching musicality. From the video game they all know, this one is sure to be a favorite with the students!

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Additional Details
Series: Pop Beginning String Orchestra
Publisher: Alfred Music
Page Count: 8
UPC: 038081411682
SKU: 00-35911S

More about this title

About the Composer: Jason Hayes

Jason Hayes is a prolific composer for video games, best known for his work on the World of Warcraft franchise. His compositions have defined the sonic identity of Blizzard Entertainment titles for over two decades, blending orchestral sensibilities with game design to create music that enhances both gameplay and storytelling.

Why we love this

Students already know this melody from the game world, which means you skip the "why should we care" conversation and jump straight to making music together. Victor López's arrangement respects the infectious hook while keeping the Grade 1.5 instrumentation accessible, so your orchestra can sound genuinely good right away rather than fighting against the arrangement.

What to expect

Rousing and energetic, with the kind of straightforward melodic confidence that video game music excels at. The piece carries an optimistic, action-ready character that feels both fun and musically legitimate, avoiding novelty without losing its gaming roots.

Who it's for

String orchestras at the early intermediate level looking for repertoire with genuine student appeal and a straightforward teaching arc. Directors balancing the need for accessible material with student motivation and meaningful musicianship development.

How to get the most out of it

  • Keep the main melody crisp and rhythmically locked, especially in the repeating sections. The catchiness depends on precision, not on expressive rubato.
  • Balance the inner voices carefully so the supporting rhythms don't muddy the primary line. This is where students learn to listen for texture beyond just "top note sounds best."
  • Let the repetitive structure work for you in rehearsal. Use repeated sections to isolate specific technical challenges (intonation shifts, rhythmic accuracy) without needing constant score rewrites.

How to use it

Use this as a crowd pleaser in a mixed concert program, especially one that includes other contemporary or crossover works. It works equally well as a closer that sends the audience home smiling or as a bridge between classical repertoire and music students encounter outside the concert hall.

Skills your students will build

  • Rhythmic precision in repeated melodic patterns
  • Balancing melody and accompaniment voices
  • Intonation control in scalewise passages
  • Maintaining consistent phrasing over structural repetition
  • Ensemble cohesion across simple textures

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