Limehouse Blues Cover Image

Limehouse Blues: Jazz Ensemble Conductor Score & Parts

$55.00 USD
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Limehouse Blues Cover Image

Limehouse Blues: Jazz Ensemble Conductor Score & Parts

By Philip Braham / arr. Les Hooper

Grade: 4 (Medium Advanced / Difficult)

Item: 00-36054

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Description
Don't be fooled by the medium-tempo intro---this chart morphs into a burnin' swing chart at 250+ BPM. Solo space is provided for tenor but you can open this up easily. Fantastic lines, counterpoint, cascading sections, pyramid patterns, and just flat-out swingin' music makes this a must-have for your ensemble. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Limehouse Blues: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Premier Jazz Series
Publisher: Alfred Music
Page Count: 84
UPC: 038081404868
SKU: 00-36054

More about this title

About the Composer: Philip Braham

Philip Braham (1881-1947) was a British composer and pianist who bridged the worlds of popular song and theatrical music during the early 20th century. His gift for memorable melody and rhythmic vitality made him a prolific writer for stage and screen, and Limehouse Blues stands as one of his most enduring compositions, capturing the jazz idiom with authentic swing sensibility.

Why we love this

Les Hooper's arrangement harnesses the architecture of Limehouse Blues brilliantly, layering counterpoint and cascading sections that keep all sections engaged while maintaining genuine swing momentum. The deliberate contrast between the medium-tempo setup and the 250+ BPM payoff gives directors a built-in narrative arc, rewarding ensemble control and maturity. This is the kind of chart that sounds effortless but demands real musicianship from your rhythm section and section leaders.

What to expect

The piece opens with a studied cool, letting the melody breathe and the band find its pocket before igniting into propulsive, bright swing. The interweaving lines and section writing create a sense of orchestral sophistication that honors the jazz idiom while showcasing ensemble cohesion and individual voice clarity.

Who it's for

Advanced high school jazz ensembles and college programs ready for a chart that demands section maturity, solid rhythm section fundamentals, and the ability to execute fast swing figures cleanly. Conductors looking for a proven crowd-pleaser that challenges reading skills without veering into avant-garde territory will find a reliable vehicle here.

How to get the most out of it

  • Lock the opening medium-tempo section with precision in the rhythm section; the transition to the faster tempo depends on absolute clarity and pocket control in the intro.
  • Balance the counterpoint carefully during the cascading sections so no single voice dominates the texture; use rehearsal by section to isolate each line before combining.
  • Customize the tenor solo space to fit your section's strengths; the arrangement supports easy doubling or redistribution if you want to feature multiple soloists.
  • Find the swing feel early in rehearsal and maintain it consistently across both tempos; the chart's swingin' character lives or dies on rhythmic precision and ensemble release, not just speed.

How to use it

Program this as a showcase for your ensemble's swing credentials midway through a concert, or use it as your closer if you want to send the audience out energized. The fast tempo and tight ensemble writing make it an ideal pairing with ballads or contemporary pieces that highlight a different facet of your group's range.

Skills your students will build

  • Fast articulation and clarity in swing figures at high tempos (250+ BPM)
  • Reading and balancing multiple melodic lines in counterpoint
  • Improvisation and solo development in jazz context
  • Ensemble precision and pocket control across tempo changes
  • Section independence while maintaining collective swing feel
  • Dynamic control in pyramid and cascading section patterns

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