Light a Candle: SSA Choral Octavo
Words and music by Andy Beck
Item: 00-PO-0001855
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More about this title
About the Composer: Andy Beck

Andy Beck directs choral publications at Alfred Music and has composed and arranged more than 450 choral works, vocal resources, and children's musicals that are performed by singers across the globe. His pedagogical materials, including Sing at First Sight, Foundations in Choral Sight Singing, and Vocalize! 45 Vocal Warm-Ups That Teach Technique, have shaped how countless students develop musicianship and technique.
Beyond the page, Beck is an active guest conductor, adjudicator, and clinician who has worked with honor choirs and all-state ensembles throughout the Southeast. A trained tenor with degrees from Ithaca College and Northwest Missouri State University, he sings with the North Carolina Master Chorale Chamber Choir and brings his experience in musical theatre and studio recording to everything he writes. His work reflects deep commitment to choral artistry and music literacy in education.
Why we love this
This piece delivers exactly what a winter concert program needs: music that sounds substantial and feels genuinely moving without requiring a lengthy rehearsal timeline. The integration of spoken greetings at the close creates a unique moment that connects the candle symbolism to real observances your singers care about, and the option to pair it with animated visuals elevates the visual presentation without demanding technical complexity.
What to expect
The music wraps around the candle symbol with quiet reverence and gentle warmth, never sentimental but genuinely heartfelt. The SSA texture creates an intimate, luminous sound that feels both accessible and refined, inviting the audience to pause and reflect rather than applaud immediately.
Who it's for
This octavo suits SSA or SSAA ensembles of intermediate ability who want repertoire with emotional depth and visual dimension. It works equally well for school choirs, community ensembles, and select treble choirs seeking a seasonal piece that doesn't rely on novelty or comedy.
How to get the most out of it
- Balance the SSA voicing by listening closely to how the alto line sits against the soprano parts; Beck's writing often gives the alto a foundational role that anchors the harmony, so resist the urge to lighten it.
- If you use the recorded accompaniment, have your singers hear it in sectionals first so they internalize the harmonic context before blending with the full track in rehearsal.
- Treat the spoken greetings as a choral moment, not a spoken interlude; coaching singers to deliver the text with the same intentionality as the sung sections preserves the piece's warmth and sincerity.
- Consider the pacing of the final spoken section carefully; brief pauses between greetings allow each one to land without rushing the reflection the text invites.
How to use it
This works beautifully as a centerpiece or opening number for a winter or holiday concert, especially when you want to establish a reflective mood before moving into livelier selections. The optional video component makes it a strong choice for a concert where you're already investing in visual presentation, and the universal peace-and-hope theme allows it to sit comfortably in secular programming.
Skills your students will build
- Balancing SSA voicing with a strong alto foundation
- Sustaining legit tone across longer phrase arcs
- Integrating sung and spoken material with consistent musicality
- Responding to visual accompaniment (video) while maintaining focus on ensemble blend