Light: 3-Part Mixed Choral Octavo
Words and music by Lisa Loeb and Cliff Goldmacher / arr. Andy Beck
Item: 00-PO-0006056
$2.10
Minimum order quantity: 20 copies
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Description
A folk-infused ballad celebrating the miracle of Hanukkah. Originally recorded by 90s pop sensation Lisa Loeb, this reflective change-of-pace choral features a rhythmic yet mellow accompaniment and straightforward but expressive vocal parts. Whether you perform with the guitar-inspired piano part, the optional SoundTrax CD, or a folk ensemble of your own, this is truly a special touch for holiday concerts.
"Because of changes in our school's schedule and the taking away of the music requirement in 7th and 8th grade, our choir numbers have dropped significantly. Searching for music that has educational value and that the choir will sound good on (we know that's important for the parents and faculty) I came across Light arranged by Andy Beck. This quickly became a favorite of my choir! The kids are excited to rehearse it every day and the sound they are achieving fits the "folk-like" feel of the piece.
We are using the 2-Part version. Being 7th and 8th graders, of my nine boys, three are unchanged voices (singing alto as written) and my other six are in varying stages of voice change. Those six are bouncing back and forth between alto and soprano parts, singing them down an octave.
Thank you for providing a great piece for the holiday season!"
Matt Albrecht
Choir Director
Copley-Fairlawn Middle School
"Because of changes in our school's schedule and the taking away of the music requirement in 7th and 8th grade, our choir numbers have dropped significantly. Searching for music that has educational value and that the choir will sound good on (we know that's important for the parents and faculty) I came across Light arranged by Andy Beck. This quickly became a favorite of my choir! The kids are excited to rehearse it every day and the sound they are achieving fits the "folk-like" feel of the piece.
We are using the 2-Part version. Being 7th and 8th graders, of my nine boys, three are unchanged voices (singing alto as written) and my other six are in varying stages of voice change. Those six are bouncing back and forth between alto and soprano parts, singing them down an octave.
Thank you for providing a great piece for the holiday season!"
Matt Albrecht
Choir Director
Copley-Fairlawn Middle School
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Additional Details
Series:
Alfred Pop Choral Series
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0006056
More about this title
About the Composer: Lisa Loeb
Lisa Loeb emerged as a defining voice of 1990s alternative pop, known for introspective songwriting and acoustic arrangements that prioritized emotional authenticity over production spectacle. Her breakthrough single "Stay (I Missed You)" became a cultural touchstone, but her catalog extends far beyond that moment, encompassing work across television, film, and theatrical projects. Loeb has consistently drawn on folk traditions and storytelling in her compositions, making her a natural fit for educational choral settings where sincerity and accessibility matter.
Why we love this
Andy Beck's arrangement captures the reflective, acoustic quality of Loeb's original while making it genuinely singable for developing three-part choirs. The folk-infused melody and straightforward harmonic language let singers focus on expression rather than technical complexity, and the optional accompaniment options (piano, SoundTrax CD, or your own folk ensemble) give you real flexibility in how you present it.
What to expect
The piece radiates a quiet reverence without being somber. Warm, folk-guitar-inspired harmonies and a mellow rhythmic accompaniment create space for the text to breathe, while the straightforward vocal lines allow singers to focus on the emotional heart of celebrating light and miracle.
Who it's for
This octavo works beautifully for middle school, high school, or community choirs looking for a reflective Hanukkah piece that doesn't require advanced vocal technique. It's especially valuable for ensembles with developing voices, mixed-age groups, or choirs recovering from scheduling challenges that have affected roster size.
How to get the most out of it
- Lean into the rhythmic precision of the accompaniment to ground the vocal lines; this arrangement thrives on rhythmic clarity rather than rubato.
- Balance the three parts so that no single line dominates; in a folk-ballad context, the blend of voices matters more than projection.
- Allow time in rehearsal to discuss the meaning of the text and Hanukkah's significance; singers who understand the occasion bring authenticity to their phrasing.
- If using the piano accompaniment, rehearse with it early and often so singers can find their entries and feel supported by the harmonic movement.
How to use it
Program this as a change of pace in a holiday concert, either alongside other Hanukkah repertoire or as the reflective centerpiece in a mixed winter celebration. Its folk sensibility also makes it a strong bridge between secular and sacred concert programming.
Skills your students will build
- Blending three distinct harmonic parts with focus on balance rather than doubling
- Maintaining rhythmic precision in a folk-influenced idiom
- Connecting lyrical content to expressive phrasing choices
- Navigating straightforward but singable voice leading across a range of voice types