Life Is A Highway (arr. Cristy Cari Miller) Sheet Music Preview

Life Is A Highway (arr. Cristy Cari Miller): TB Choral Octavo

As performed by Tom Cochrane / As performed by Rascal Flatts / Arranged by Cristi Cary Miller

Item: 35-DS00427793

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00427793

More about this title

About the Artist: Tom Cochrane

Tom Cochrane is a Canadian rock musician best known for his 1991 hit "Life Is A Highway," which became an anthem of resilience and forward momentum. His straightforward songwriting and distinctive vocal style made him a staple of FM radio in North America, and his work has been recorded by countless artists across multiple genres, including the country crossover version by Rascal Flatts that introduced the song to new generations.

Why we love this

Cristy Cary Miller's arrangement captures the unrelenting energy of the original while making it completely singable for treble and bass voices. The arrangement honors what makes this song so durable: its simple, powerful message and infectious momentum, which your students will recognize and connect to immediately.

What to expect

Optimistic and propulsive. The arrangement carries the original's sense of possibility and determination, with a rock-solid rhythmic foundation that makes singers feel like they're moving toward something. There's joy in the simplicity and strength in the unison moments.

Who it's for

Treble and bass choirs looking for accessible, modern repertoire that connects with students on a personal level. This works equally well for mixed groups seeking a confident closer or warm-up that generates immediate engagement and lift.

How to get the most out of it

  • Keep the energy driving forward from the first notes. This song thrives on a sense of momentum rather than dynamic contrast, so maintain consistent support under the melody line even in quieter passages.
  • Balance the melody and harmony so the hook remains the focal point. TB and TTB configurations can easily weight too heavily toward bass if you're not intentional about blending.
  • Lock into the groove early in rehearsal rather than perfecting every note. This arrangement works best when singers feel the rhythmic pulse as a shared foundation.

How to use it

Pair this with other contemporary pop arrangements for a spring concert that speaks to your audience in their own language. It also works beautifully as a program closer when you want to send the audience out energized rather than reflective. Consider this a morale builder during long rehearsal weeks.

Skills your students will build

  • Rock and pop phrasing in a choral context
  • Maintaining rhythmic integrity across TB voicing
  • Balancing melody with harmonic support in contemporary styles
  • Connecting to material that feels personally relevant

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