Liebeslieder Walzer (Waltzes), Op. 114 Cover Image

Liebeslieder Walzer (Waltzes), Op. 114: Full Orchestra Condensed Score

$8.00 USD

Liebeslieder Walzer (Waltzes), Op. 114: Full Orchestra Condensed Score

Name: Liebeslieder Walzer (Waltzes), Op. 114: Full Orchestra Condensed Score
Brand: Alfred Music
SKU: 36-A209499
Price: 8.00 USD
Availability: InStock

By Johann Strauss II

Item: 36-A209499

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Written by the "Waltz King" Johann Strauss II (1825-1899) in 1852, Liebeslieder Waltzes (Liebeslieder Walzer) is essentially a love serenade written in 3/4 time, consisting of seven sections: an Introduction, five different Waltzes, then a Coda. Written at a time early in the composer's career, Strauss' works did not receive much attention when this piece was published, though that certainly did change later. The premiere took place at Vienna's Volksgarten by the composer's own Strausskapelle on June 18, 1852. Instrumentation: 2(2nd dPicc).2.2.2: 4.2.1.0: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): CS (Pno-Cond) in set.

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Series: Kalmus Orchestra Library

Publisher: Keiser Productions, Inc.

ISBN10: 8-88-852617-X

ISBN13: 979-8-88-852617-0

UPC: 676737884284

SKU: 36-A209499

Instrumentation: 2(2nd dPicc).2.2.2: 4.2.1.0: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): CS (Pno-Cond) in set

More about this title

About the Composer: Johann Strauss II

Johann Strauss II (1825-1899) inherited his father's dance orchestra and transformed Vienna's musical landscape in the mid-19th century. His prolific output of waltzes, polkas, and quadrilles made him the defining voice of Viennese light music, earning him the title "Waltz King." Though he composed over 500 works across his career, Strauss II also pioneered the operetta form and demonstrated that popular dance music could achieve genuine artistry without sacrificing accessibility.

Strauss II's early works, including the Liebeslieder Waltzes, laid the foundation for his later fame. Written when he was still establishing himself as a composer, these pieces showcase the melodic gift and orchestral sophistication that would eventually earn him international recognition and influence composers from Brahms to later 20th-century artists.

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Why we love this

This condensed score makes one of Vienna's most charming orchestral works accessible to conductors who need practical oversight without sacrificing the full orchestral texture. The piece's seven-section structure gives you a complete arc from tender introduction through contrasting waltzes to a satisfying coda, making it an ideal choice for concerts seeking elegance and clarity without demanding extended rehearsal time from an orchestra.

What to expect

A musical love letter in waltz form, this piece exudes warmth and elegance without sentimentality. The orchestration sparkles with interplay between strings, woodwinds, and harp, while the seven sections create a journey from tender courtship through moments of lyrical reflection and playful flourish, all grounded in the characteristic Viennese rhythmic lilt.

Who it's for

Conductors of professional and advanced amateur orchestras seeking sophisticated, accessible repertoire that showcases orchestral color without requiring specialized soloists or chorus. This work appeals to audiences familiar with the waltz tradition and conductors looking to program Strauss alongside Classical-era symphonies or other 19th-century light orchestral music.

How to get the most out of it

Maintain the gentle forward motion inherent to 3/4 meter; resist the temptation to let the waltzes drag, as this piece lives by its lilting character rather than dramatic weight.
Balance the harp part carefully so it serves as harmonic glue rather than a soloistic feature; the string section should carry the melodic spotlight throughout.
Shape each of the five waltzes as distinct musical personalities rather than variations on a single theme; use tempo and articulation subtly to differentiate them.
The percussion part is minimal but purposeful; ensure timpani and other struck instruments speak clearly without overshadowing the melodic lines.

How to use it

Program this as a centerpiece of a "Viennese Evening" concert alongside other 19th-century light orchestral works, or place it between weightier symphonic works to provide tonal and textural contrast. The piece's modest scale and tuneful character make it an excellent choice for community orchestras or educational ensembles seeking to introduce repertoire beyond standard symphonic literature.