Levitating (arr. Mark Brymer): SATB Choral Octavo

Mark Brymer's arrangement captures the irresistible swagger of the original while writing parts that sit comfortably across all four voices. The funk and soul foundation gives your choir permission to groove, and the pop sensibility means your students already know and love this song before rehearsals even begin.

Buoyant and confident. The arrangement channels the disco and funk DNA of the original into something that makes singers feel cool while they're singing it. There's lightness here, not heaviness, paired with a rhythmic pocket that makes the ensemble sound tighter than the sum of its parts.

Choirs that want contemporary material with immediate appeal and genuine musical substance. Your students will be invested from day one, and the arrangement respects both the source material and your singers' abilities.

• Lock the rhythm section early. Bass and percussion need to establish the pocket before sopranos and altos layer in their lines, or the groove collapses.
• Keep the eighth-note subdivisions tight and even. A funk groove lives or dies by precision, not by intensity.
• Shape the dynamics with intention. This arrangement likely has sections where voices drop in and out; use those moments to build momentum rather than letting energy drift.
• Encourage singers to feel the swagger in their phrasing. Attack the consonants with confidence, and let the vowels ring with attitude.

Slot this into a spring concert that balances classical and contemporary repertoire, or build an entire set around modern pop and soul standards. It works equally well as an opener that sets an energetic tone or as a showstopper that lets your ensemble's personality shine.

• Funk and pop rhythmic precision (subdividing eighth notes, maintaining grid with percussion)
• Part independence within a groove-based arrangement
• Contemporary style and phrasing (attack, attitude, and shaping lyrics idiomatically)
• Blending four-part harmony in a non-classical context