Let There Be Love (arr. Susan Brumfield): 3-Part Treble Choral Octavo

This arrangement wraps the sentiment of "Let There Be Love" in a warm, intimate sound. The 3-part texture creates richness without heaviness, and the overall effect is hopeful and tuneful. Singers and audiences alike will feel the earnest simplicity that makes this standard enduring.

Treble choirs at the middle school through early high school level will find this accessible without being babyish. It works well for singers who have solid musicianship basics but aren't ready for divisi writing or four-part harmony.

• Lean into the legato line in the melody part; this song asks for sustained, connected phrasing rather than short articulation. Work the breath placement so singers aren't gasping mid-phrase.
• Balance the harmony so that the melody remains audible. In a 3-part texture, the inner voices can easily overshadow the tune, especially if your second part voices are stronger singers.
• Let the text breathe. The lyrics carry the emotional weight here, so encourage singers to think about what they're saying, not just what they're singing.

Slot this into a concert that needs a feel-good moment without resorting to novelty. It pairs well with both contemporary pop arrangements and more traditional choral work, making it flexible for mixed programming. The 20-page length suggests it could anchor a smaller concert set or serve as a strong opener.

• Legato phrasing and breath management
• Harmonic balance in close-voiced textures
• Expressive text interpretation in standard jazz/pop idiom
• Sustaining long tones with consistent tone quality