Let The Words: SATBBB Choral Octavo

Mervyn Warren's arrangement captures the groove and harmonic sophistication that defines Take 6's sound while remaining genuinely singable by student choirs. The three-page octavo format makes it accessible without oversimplifying the jazzy vocal writing that keeps audiences engaged.

The arrangement sits somewhere between groove and lyricism, with the kind of harmonically rich background that supports the melody without cluttering it. Singing this builds an immediate sense of ensemble cohesion because the parts lock together so satisfyingly when balanced correctly.

High school and collegiate choirs seeking contemporary pop repertoire with real vocal sophistication. Directors building concert programs that showcase modern a cappella arranging without requiring choreography or amplification.

• Lock the rhythmic pocket early in rehearsals by having the ensemble tap steady quarter notes while singing, especially through any syncopated passages.
• Explore the harmonic colors by assigning singers within each section to listen specifically to one adjacent part, then rotating that responsibility across rehearsals.
• Shape the phrase contours dynamically rather than staying in one volume zone; this arrangement rewards gentle dynamic shaping that lets the lyrics land clearly.

Place this in a pop or contemporary concert segment, where its a cappella format contrasts naturally with accompanied pieces earlier in the set. It also works as a finale or show closer given the broad appeal of Take 6's artistry and the arrangement's accessible but impressive character.

• Singing jazz harmonies and chromatic voice leading
• Maintaining rhythmic independence within ensemble texture
• Balancing blend across four parts while keeping the melody prominent
• Phrase shaping in contemporary pop contexts