Let The Singers Assemble: Choral Instrumental Pak
By Joseph M. Martin / By David Angerman
Item: 35-PK00165973
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About the Composer: Joseph M. Martin

Joseph M. Martin studied piano performance at Furman University in South Carolina and earned a master's degree in the same field from the University of Texas at Austin. He spent five years teaching piano pedagogy at UT Austin while establishing himself as a concert pianist, winning the Nina Plant Wideman Competition and performing as a featured soloist with orchestras throughout the United States and Mexico.
Martin's career has shifted toward sacred music and worship contexts. His compositions and arrangements have been performed in venues ranging from Carnegie Hall to churches across North America, and he remains active as both a performer and composer, drawing on his deep training in keyboard music to create accessible, compelling works for congregational and concert settings.
Why we love this
The bold textural writing for brass and organ gives this opener real authority without requiring massive forces. Martin's gift for combining scriptural weight with accessible melodic material means your choir will feel like they're leading something important, not wrestling with complexity.
What to expect
Processional energy meets reverent announcement. The regal dotted rhythms and wide intervallic leaps create forward momentum while the harmonic foundation keeps things grounded in worship rather than concert spectacle. Brass and organ together suggest both pageantry and spiritual weight.
Who it's for
Directors preparing a worship service opening or sacred concert who want immediate musical impact with manageable instrumentation. This works equally well for established church music programs and volunteer choirs seeking a confidence-building opener.
How to get the most out of it
- Balance the organ accompaniment so it supports rather than overshadows the choral line; the brass will naturally project, so transparency matters.
- Articulate the dotted rhythms crisply to clarify the regal character Martin intended; sloppy execution of these figures flattens the impact.
- Work the bold leaps with clear vowel placement so intonation stays secure in the upper register where this piece lives.
How to use it
Position this as your opening piece when you need the congregation or audience immediately engaged and oriented toward sacred themes. It pairs well before more introspective choral works and provides a natural bridge between instrumental prelude and congregational singing.
Skills your students will build
- Singing with accuracy through wide intervallic leaps
- Rhythmic clarity in dotted note patterns
- Blend and balance with brass and organ accompaniment
- Unified vowel placement in the upper register