Let's Sightplay!, Book 3 Cover Image

Let's Sightplay!, Book 3: Late Elementary Piano Book

$9.50 USD
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Let's Sightplay!, Book 3 Cover Image

Let's Sightplay!, Book 3: Late Elementary Piano Book

By Kathleen Massoud / ed. Victoria McArthur

Item: 98-FJH1116

$9.50
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Description
Creative solo exercises to develop sightplaying at the piano.

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Additional Details
Series: Let's Sightplay
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-011-8
ISBN13: 978-1-56939-011-5
UPC: 674398201648
SKU: 98-FJH1116

More about this title

About the Composer: Kathleen Massoud

Kathleen Massoud

Kathleen Massoud studied piano performance at Hartt College of Music in Hartford, Connecticut and Longy School of Music in Cambridge, Massachusetts, building a foundation that would shape her approach to teaching. Since founding the Massoud Piano Studio in New Bedford, Massachusetts in 1980 alongside her husband, she has maintained an independent teaching practice for over two decades and served as president of the Southeastern Chapter of the Massachusetts Music Teachers Association. She holds active membership in the National Guild of Piano Teachers.

Beyond the studio, Massoud is a contributing member of her church choir and volunteers in her community. Her creative interests extend to poetry, and she brings that same attention to language and expression into her work designing pedagogical materials for young pianists.

Why we love this

Massoud knows exactly what late elementary pianists need to sight-read fluently without becoming bored by drill work. These exercises build genuine reading independence through creative variety rather than repetition, which means students actually want to open the book. Her 20+ years in the studio gave her the ear to write material that challenges without frustrating.

What to expect

Approachable and direct, with exercises that respect where students are while stretching them slightly forward. The creative framing keeps the mind engaged even as the hands build automaticity.

Who it's for

Late elementary pianists ready to move beyond reading single-line melodies and who benefit from a structured method to sharpen their note recognition and rhythmic independence. Teachers seeking material that makes daily sight-reading practice feel purposeful rather than mechanical.

How to get the most out of it

  • Set a steady tempo before each exercise and commit to it without stopping, even if a note goes missing. This trains the eyes and hands to stay connected to the beat.
  • Rotate through the exercises in mixed order rather than front to back. Breaking the predictable sequence sharpens attention and prevents students from memorizing their way through.
  • After sight-reading through cold, mark one passage to polish and refine. This shows students that sight-reading is the first step, not the final performance.

How to use it

Assign one or two exercises per practice week as part of the warm-up routine, rotating through the book over the course of several months. This ensures consistent, low-pressure exposure to new reading scenarios without monopolizing lesson time.

Skills your students will build

  • Note recognition in treble clef at the late elementary staff range
  • Rhythmic accuracy in simple and compound meters
  • Fluency reading without pause or correction
  • Independence between hands in basic accompanying patterns
  • Confidence tackling unfamiliar material on first sight

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