Let's Sightplay!, Book 2 Cover Image

Let's Sightplay!, Book 2: Elementary Piano Book

$9.50 USD
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Let's Sightplay!, Book 2 Cover Image

Let's Sightplay!, Book 2: Elementary Piano Book

By Kathleen Massoud / ed. Victoria McArthur

Item: 98-FJH1115

$9.50
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Description
Creative solo exercises to develop sightplaying at the piano.

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Additional Details
Series: Let's Sightplay
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-010-X
ISBN13: 978-1-56939-010-8
UPC: 674398201631
SKU: 98-FJH1115

More about this title

About the Composer: Kathleen Massoud

Kathleen Massoud

Kathleen Massoud studied piano performance at Hartt College of Music in Hartford, Connecticut and continued her training at Longy School of Music in Cambridge, Massachusetts. She founded the Massoud Piano Studio in 1980 in New Bedford, Massachusetts alongside her husband and has maintained an independent piano teaching practice for over two decades. A longtime member of the National Guild of Piano Teachers, she served as president of the Southeastern Chapter of the Massachusetts Music Teachers Association.

Beyond the studio, Massoud remains active in her church choir and serves her community through volunteer work. She is also a published poet, bringing a writer's sensitivity to language and expression into her approach to music pedagogy.

Why we love this

Book 2 reflects what a working piano teacher actually observes in her students' struggles with sight-reading. Rather than generic finger exercises or disconnected drills, these pieces scaffold the skill progressively while remaining genuinely musical. Your students will build confidence because they're reading real music that sounds intentional, not busywork dressed up as repertoire.

What to expect

These exercises maintain a playful, approachable character while introducing genuine musical thinking. They don't feel like drills; they feel like short, purposeful pieces that reward careful reading and present small musical ideas worth playing well.

Who it's for

Elementary pianists who have moved beyond level 1 and are ready to tackle increasingly varied rhythmic patterns, hand positions, and musical figures. This book serves students preparing for auditions, competitions, or festival sight-reading requirements where consistent daily practice with fresh material matters.

How to get the most out of it

  • Encourage students to scan an entire piece before playing. Looking ahead prevents panic and helps them anticipate intervals and rhythm patterns within the exercise.
  • Keep hands relaxed and maintain steady tempo even when encountering an unfamiliar passage. The point is fluency, not perfection on first read.
  • Return to earlier exercises periodically as warm-up reading. Revisiting familiar material reinforces growth and builds the automaticity that enables sight-reading fluency.

How to use it

Assign one or two exercises at each lesson as the core sight-reading work of the week. The cumulative effect of regular exposure to new material trains the eye and hand to work together without the intimidation factor of full-length repertoire sight-reading assessments.

Skills your students will build

  • Fluency reading mixed rhythmic patterns and syncopation
  • Interval recognition and accurate hand positioning across the staff
  • Tempo stability and confidence reading unfamiliar material on first attempt
  • Independence between treble and bass clef coordination

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