Let's Go To The Movies (from Annie) (arr. Alan Billingsley): 2-Part Choral Octavo

Alan Billingsley's arrangement captures the infectious energy of the original without overwhelming a developing two-part choir. The orchestration lies perfectly for young voices, and the Broadway idiom gives students a chance to perform repertoire they recognize and genuinely want to sing. This is the kind of selection that builds ensemble enthusiasm while teaching musicianship.

Pure theatrical joy. The melody sparkles with optimism and childlike wonder, the kind of infectious energy that makes an audience smile the moment the first notes land. You're not just singing a song; you're inviting the audience into a world of possibility and imagination.

Elementary and middle school choirs, particularly ensembles ready to tackle two-part writing with confidence. The arrangement works equally well for recreational or beginning high school choirs seeking accessible Broadway material.

• Lock in the rhythmic drive early in rehearsals. This tune lives in its forward motion; a sluggish tempo will drain its charm and theatrical appeal.
• Balance the two parts so the melody line cuts through cleanly. Resist the urge to let the second part swell; it's there to support the story.
• Shape the phrases like a performer would, not a choir. Find the emotional peak of each phrase and build toward it naturally rather than holding back for blend.

Pair this with other Strouse selections or a broader Broadway medley for a concert devoted to musical theater. It works beautifully as an opener, setting an upbeat, accessible tone for the entire program. Consider it a natural fit alongside other contemporary choral arrangements that celebrate American musical tradition.

• Phrasing in the Broadway idiom
• Singing connected lines over rhythmic accompaniment
• Rhythmic precision in syncopated figures
• Two-part ensemble balance and blend
• Expressive interpretation of text-driven melody