Let's Go Crazy: String Orchestra Conductor Score & Parts
By Prince / Arranged by Larry Moore
Grade: 2-3
Item: 35-PK00096461
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Let's Go Crazy - Full Score | $6.00 | |
| Let's Go Crazy - Violin 1 | $7.00 | |
| Let's Go Crazy - Violin 2 | $7.00 | |
| Let's Go Crazy - Violin 3 (Viola Treble Clef) | $7.00 | |
| Let's Go Crazy - Viola | $7.00 | |
| Let's Go Crazy - Cello | $7.00 | |
| Let's Go Crazy - Bass | $7.00 | |
| Let's Go Crazy - Piano | $7.00 | |
| Let's Go Crazy - Percussion | $7.00 |
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More about this title
About the Composer: Prince
Prince Rogers Nelson redefined what a musician could accomplish across genres, instruments, and production. A virtuoso on guitar, keyboards, and drums, he composed pop anthems, funk grooves, rock epics, and innovative experiments with equal mastery. His 2007 Super Bowl XLI halftime performance remains one of the most celebrated in the show's history, showcasing his ability to command a massive stage and captivate millions with pure musicianship.
For music educators, Prince's catalog offers a direct window into how commercial songwriting, harmonic sophistication, and rhythmic complexity coexist in music that students already love. His arrangements of his own work demonstrate how iconic recordings can be reimagined for different ensembles without losing their energy or identity.
Why we love this
Larry Moore's adaptation captures the unrelenting drive and infectious groove of the original while staying completely within reach for intermediate string sections. The 2:30 duration hits hard without overstaying its welcome, making this ideal for concerts where you want maximum impact and audience recognition in minimal rehearsal time.
What to expect
Propulsive and exhilarating, driven by infectious rhythms that make strings feel like they're part of a rock band. The arrangement maintains the synth-and-drum energy of the original while giving each string section its own melodic or rhythmic responsibility, creating a sense of collective power.
Who it's for
Intermediate string orchestras looking to program contemporary music with immediate student and audience engagement. This works beautifully for directors who want to bridge the gap between classical technique and the music their students are hearing outside rehearsal.
How to get the most out of it
- Lock into the rhythmic pulse from measure one. This arrangement lives and dies by the groove, so establish a consistent click or pulse with your low strings early in rehearsals.
- Balance the melodic line between sections carefully. String players often default to matching volume with their stand partner rather than hearing the larger instrumental hierarchy.
- Articulation matters enormously here. Crisp attacks on rhythmic figures will make the piece sing; overly smooth playing flattens the rock energy.
- Push the tempo slightly if the piece feels sluggish, but never sacrifice rhythmic precision for speed.
How to use it
Consider this for a pop or contemporary music concert, or sandwich it between more traditional repertoire to show the range of your ensemble. It also works as a season opener or finale, something with enough musical substance to feel substantial but enough familiarity to energize both players and listeners.
Skills your students will build
- Rhythmic precision in syncopated, rock-influenced contexts
- Articulation and style awareness across staccato and legato figures
- Ensemble balance when melodic content is distributed unevenly across sections
- Maintaining groove and pulse under tempo pressure
- Interpreting contemporary popular music notation and phrasing