Let's Face The Music And Dance: Choral Instrumental Pak
By Irving Berlin / Arranged by Kirby Shaw
Item: 35-PK00150775
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About the Composer: Irving Berlin
Irving Berlin (1888-1989) wrote some of the most enduring melodies in American popular music, composing over 1,000 songs across a career spanning eight decades. His gift for crafting instantly singable, emotionally direct tunes made him a dominant force in Broadway, film, and Tin Pan Alley, and his works remain central to the Great American Songbook.
For music educators, Berlin's catalog offers something rare: pieces that students genuinely want to sing because the melodies are so strong and the lyrics so witty. His harmonies, while approachable, contain enough sophistication to reward careful listening and arrangement.
Why we love this
Kirby Shaw's arrangement transforms a timeless standard into something that feels fresh and contemporary without losing Berlin's melodic brilliance. The Latin jazz voicing gives your ensemble a rhythmic edge and harmonic depth that elevates the piece well beyond a simple pop cover, making it equally at home in a concert setting or a lighter pop program.
What to expect
Suave and propulsive, with a Latin heartbeat that pulls the entire piece forward. The rich jazz chords create sophistication while Berlin's melody keeps everything accessible and joyful, landing somewhere between a nightclub elegance and concert hall polish.
Who it's for
Choirs seeking a sophisticated pop or jazz standard that engages both singers and audiences. This works particularly well for groups with some vocal maturity who can navigate jazz harmonies and appreciate the interplay between rhythm and melody.
How to get the most out of it
- Let the rhythm section lock the clave pattern first in rehearsal; once the groove sits, the choir will naturally find its pocket and the arrangement will sparkle.
- Shape the jazz harmonies deliberately rather than straight through them. These chords benefit from slight dynamic inflection that highlights their color without undermining the groove.
- The three-minute duration means every phrase counts. Keep the energy consistent and avoid letting tempo drift during the middle section.
- If using the recorded accompaniment, rehearse with it early and often so students hear how their voices sit within the Latin texture.
How to use it
Pair this with other standards or jazz arrangements to anchor a "Great American Songbook" concert, or slot it into a pop program where it will serve as a stylistic and harmonic centerpiece. The Latin groove also makes it a natural fit for spring or end-of-year concerts where you want something polished yet energetic.
Skills your students will build
- Reading and singing jazz harmonies (seventh chords, extensions)
- Maintaining rhythmic precision in a Latin groove
- Balancing melody with complex background harmony
- Phrasing and dynamics within a jazz idiom
- Ensemble cohesion in a syncopated, rhythm-driven arrangement