Let's Face The Music And Dance Sheet Music Preview

Let's Face The Music And Dance: Piano Vocal

As performed by Frank Sinatra / As performed by Irving Berlin / As performed by Come Fly Away (Musical)

Item: 35-DS00164799

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00164799

More about this title

About the Artist: Frank Sinatra

Frank Sinatra (1915-1998) revolutionized American popular singing by treating the voice as an instrument capable of subtle phrasing, dynamic control, and interpretive depth. His approach to melody and lyric transformed how singers approached the Great American Songbook, making him an essential study for vocalists interested in jazz standards and the intersection of popular music with classical technique.

Irving Berlin (1888-1989) composed some of the most enduring melodies in American music, blending sophisticated harmonies with accessible, singable lines. His work defined the Broadway musical and the jazz standard repertoire, making him a foundational figure for any musician studying the American songwriting tradition.

Why we love this

This standard sits at the sweet spot between technical accessibility and interpretive richness. The piano part supports without overwhelming, giving singers room to shape phrases and explore the elegant simplicity of Berlin's melody.

What to expect

Urbane and sophisticated, with an undercurrent of warmth. This is music for a moment of connection, where directness and restraint carry more weight than display. The melody invites you to linger over certain phrases while moving decisively through others.

Who it's for

Jazz singers developing their interpretive skills with standards repertoire, piano students building their accompanying technique, and any vocalist or pianist looking to deepen their understanding of how melody and harmony interact in the American songbook.

How to get the most out of it

  • Shape the melodic line by thinking in long phrases rather than bar lines; let the harmonic movement guide your breath placement and dynamic contours.
  • The piano comping works best when it mirrors the vocalist's phrasing. Coordinate with your singer on where emphases and rubato occur so accompaniment and melody breathe together.
  • Approach the harmony with clarity; Berlin's chord choices are elegant precisely because they're not overstuffed. Let space in the voicings speak.

How to use it

Pair this with other Sinatra or Berlin standards to create a focused concert set or recital segment exploring the golden age of American songwriting. It also works as a sophisticated opener or closer for a jazz vocal program.

Skills your students will build

  • Phrasing and breath placement in standards repertoire
  • Harmonic listening and voice leading awareness
  • Piano accompaniment technique with flexible tempo
  • Interpretation of lyrics within a jazz vocal idiom
  • Balance between rhythmic precision and expressive rubato

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