Let's Face The Music And Dance Sheet Music Preview

Let's Face The Music And Dance: SSA Choral Octavo

By Irving Berlin / Arranged by Kirby Shaw

Item: 35-DS00149765

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00149765

More about this title

About the Composer: Irving Berlin

Irving Berlin (1888-1989) was the most prolific songwriter of the American popular song tradition, composing over 1,000 songs across nearly eight decades. Working primarily in the early-to-mid 20th century, Berlin developed an instinctive gift for melody and lyrical directness that made his work immediately singable and emotionally resonant. His compositions became the backbone of the Great American Songbook, performed in concert halls, theaters, and jazz clubs worldwide.

For music educators, Berlin's catalog represents a masterclass in accessible songwriting. His melodies sit naturally in the voice, his harmonic language is rich without being dense, and his lyrics celebrate themes of joy, sophistication, and resilience. Arranging his standards for choral ensembles preserves the wit and elegance of the original while opening these beloved songs to singers of all levels.

Why we love this

Kirby Shaw's arrangement captures the sophisticated swing and urbane charm of Berlin's original without sacrificing singability across three voices. The setting sits comfortably in the SSA range while maintaining the song's signature rhythmic vitality and harmonic sophistication, making it accessible for developing choirs while offering enough musical substance to engage advanced singers.

What to expect

A breezy invitation to sophistication. The piece sparkles with the confidence of the Great American Songbook: urbane, rhythmically clever, and deeply satisfying to sing. There's an ease to it that belies the craft underneath, like watching someone dance effortlessly in dress clothes.

Who it's for

This arrangement suits choirs with at least one year of ensemble experience. The SSA voicing makes it accessible for treble choirs and mixed groups looking for a brief soloistic moment for female voices. Whether programmed as a standalone showstopper or paired with other jazz standards, it works for concert repertoire at the intermediate level.

How to get the most out of it

  • Keep the tempo buoyant and conversational. The lyrics are witty and rapid-fire, so rhythmic clarity and diction precision matter far more than pushing the tempo.
  • Balance the voice parts by treating them as distinct personalities rather than background support. Each line contributes melodic and harmonic interest.
  • Shape the phrase endings with gentle releases rather than hard stops. This maintains the song's forward momentum and keeps the energy from deflating.

How to use it

Program this as a tonal shift in a concert of hymns, spirituals, or classical choral works. Its jazz-inflected style and pop sensibility offer audiences a refreshing contrast and give singers a chance to explore interpretive flexibility within a commercial music idiom. It also pairs naturally with other Berlin standards or 20th-century American song arrangements.

Skills your students will build

  • Swing phrasing and rhythmic subdivision in a jazz-influenced context
  • Diction and text delivery at rapid tempos
  • Awareness of three-part voice leading and harmonic function
  • Listening for and supporting a melodic line across distributed voices

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