Let Me Fly Sheet Music Preview

Let Me Fly: SATB Choral Octavo

Arr. Robert DeCormier

Item: 00-PO-0003529

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Minimum order quantity: 20 copies

Description
"O let me fly to Mount Zion, Lord!" This bright, uplifting spiritual has been a standard in the choral repertoire for decades, and is a perennial favorite for festival performances. This title is available in Music Prodigy.

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Additional Details
Series: Lawson-Gould
Publisher: Alfred Music
Page Count: 16
SKU: 00-PO-0003529

More about this title

About the Arranger: Robert DeCormier

Robert DeCormier

Robert DeCormier studied at Juilliard and built a career spanning classical conducting, Broadway, folk music, and choral direction. He led the New York Choral Society for seventeen years, served as music director for Peter, Paul and Mary from 1978 to 2010, and arranged for Harry Belafonte and other major artists. His work with spirituals and American folk traditions shaped the choral landscape across multiple genres.

Beyond conducting, DeCormier founded Counterpoint, a professional vocal ensemble based in Vermont, and created numerous choral and orchestral works. His contributions to music education, advocacy on arts councils, and legacy recordings earned him the Vermont Governor's Award for Excellence in the Arts (2002) and a Lifetime Achievement Award from the New England Choral Arts Foundation (2006).

Why we love this

DeCormier's arrangement respects the spiritual's essential character while crafting clear, singable voice lines that work for festivals and competitions alike. This is a piece that students feel genuinely moved by, not obligated to perform, which makes rehearsals more engaging and concerts more compelling.

What to expect

Bright and hopeful, with the unmistakable dignity and resilience of the spiritual tradition. The a cappella setting lets the voices breathe and resonates with both intimacy and power, creating the sense that this prayer is being lifted collectively toward something greater.

Who it's for

This octavo suits choirs with solid fundamentals in pitch accuracy and blend. Festival adjudicators and contest judges expect clean intonation and balanced voicing in spirituals, making this arrangement ideal for groups ready to compete or perform at a polished level. High school through adult choirs will find it rewarding.

How to get the most out of it

  • Shape the melodic line with natural breath points rather than strict phrase markings. The spiritual's storytelling quality demands breathing that serves the text, not just the music.
  • Balance soprano and alto lines carefully in the lower register passages to ensure the harmonic progression reads clearly without the melody becoming muddy.
  • Work the a cappella sonority slowly in early rehearsals, establishing pitch security before adding tempo and expression. Once tuning is solid, the brightness emerges naturally.
  • Emphasize the text's emotional arc, particularly the shift in energy when the part about Mount Zion arrives. This gives singers a dramatic anchor, not just a musical one.

How to use it

Program this as an anchor piece in a concert centered on spirituals or American sacred music. Its brightness pairs well before a slower spiritual or after an instrumental piece, giving the audience a moment of uplift. It also functions as a strong closing number that leaves audiences with energy and warmth.

Skills your students will build

  • A cappella blend and intonation without instrumental support
  • Lyric interpretation and text-driven phrasing in spirituals
  • Balance between soprano melody and supporting harmony parts
  • Sustained tone production and breathing across longer phrases
  • Understanding the cultural and spiritual significance of African-American spiritual tradition

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