Let It Snow! Let It Snow! Let It Snow!: SATB Choral Octavo

Alan Billingsley's arrangement captures the infectious energy of the Glee version while keeping the part writing accessible for school choirs. The piece moves with genuine momentum and fun without requiring virtuosic voices, making it an audience favorite that doesn't demand months of rehearsal time.

Bright, swinging, and brimming with seasonal warmth. The arrangement dances rather than marches, capturing the cozy comfort of the original song while bringing a modern pop sensibility that audiences recognize and enjoy.

High school and community choirs looking for a contemporary holiday piece with genuine musical substance. The Glee connection brings familiarity and appeal, while Billingsley's writing ensures the part-writing is singable for mixed ensembles of varying ability levels.

• Lean into the rhythmic precision of the accompaniment; the groove relies on crisp articulation across all four parts, especially in rhythmic unison passages.
• Balance the melody between soprano and tenor lines carefully. They share thematic material and should feel like a conversation rather than one part dominating.
• Keep the energy level consistent through the final section. The piece thrives on forward momentum, so avoid letting the tempo drop as you approach the ending.
• Use the recorded accompaniment to lock the overall feel and tempo in early rehearsals; it establishes a clear model for the rhythmic style this arrangement demands.

Program this as an opening number or centerpiece in a holiday concert to set an upbeat, joyful tone. Its familiarity works especially well when paired with traditional carols, offering a palate cleanser that lifts energy without feeling out of place.

• Rhythmic precision and rhythmic unison singing across voice parts
• Balance between melody and harmony in pop-influenced choral writing
• Maintaining consistent energy and forward motion over 12 pages
• Ensemble blend in four-part mixed voices with contemporary pop style